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DTSTART;TZID=Australia/Sydney:20230203T180000
DTEND;TZID=Australia/Sydney:20280130T160000
DTSTAMP:20260603T203903
CREATED:20230104T234053Z
LAST-MODIFIED:20240229T051726Z
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SUMMARY:Wonders of HINTON
DESCRIPTION:Experience one of the greatest collections of art in regional Australia with the new semi-permanent display\, Wonders of Hinton. \nThe Howard Hinton Collection is the result of one of the greatest acts of artistic philanthropy and benefaction in Australian history. Between 1929 and 1948 a collection of over 1000 artworks were donated to the newly constructed Armidale Teachers’ College by the retired shipping agent\, Howard Hinton OBE (1866-1948). The collection provides a snapshot into Australian artistic practice in the early twentieth century as well as some insights into this ‘modest and self-effacing’ gentleman who lived in a boarding house in the north shore suburb of Cremorne and is one of the most significant collections of Australian art in regional New South Wales. \nOpening Night Event: Friday 3 February\, 6pm
URL:https://neram.dev.nucleoserver.com/event/wonders-of-hinton/
CATEGORIES:Exhibitions
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DTSTART;TZID=Australia/Sydney:20260529T180000
DTEND;TZID=Australia/Sydney:20260726T160000
DTSTAMP:20260603T203903
CREATED:20260513T035840Z
LAST-MODIFIED:20260528T094553Z
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SUMMARY:Pochettes en Fête
DESCRIPTION:Pochettes en Fête celebrates the elegance\, glamour and enduring allure of the vintage handbag. Bringing together a selection of beautifully crafted pochettes\, clutches and evening bags alongside contemporary artworks\, the exhibition explores fashion accessories not simply as objects of style\, but as carriers of memory\, identity and cultural history. From intricate beadwork and luxurious textiles to sculptural forms and exquisite detailing\, these vintage and contemporary pieces speak to changing fashions\, social rituals and the artistry of adornment across decades. \nPresented as a special fundraising exhibition in support of New England Regional Art Museum\, Pochettes en Fête invites visitors to experience a playful and sophisticated dialogue between fashion\, art and collecting. The vintage handbag collection of Jane Vallance White\, generously donated by her daughter Janet White to raise funds for the gallery\, forms the heart of the exhibition. \nImage credit: European\, embroidered purse\, c.1910-20
URL:https://neram.dev.nucleoserver.com/event/pochettes-en-fete/
CATEGORIES:Exhibitions
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DTSTART;TZID=Australia/Sydney:20260529T180000
DTEND;TZID=Australia/Sydney:20260726T180000
DTSTAMP:20260603T203903
CREATED:20260513T035819Z
LAST-MODIFIED:20260513T040311Z
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SUMMARY:The Neighbour at the Gate
DESCRIPTION:The National Art School (NAS) presents a major exhibition\, The Neighbour at the Gate\, curated by a guest curatorium led by Clothilde Bullen OAM (Wardandi Noongar and Badimaya Yamatji)\, with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar). \nBringing together newly commissioned works by leading Australian artists Jacky Cheng\, Elham Eshraghian-Haakansson\, Dennis Golding (Kamilaroi/Gamilaraay)\, Jenna Mayilema Lee (Gulumerridjin (Larrakia)\, Wardaman\, KarraJarri)\, James Nguyen and James Tylor (Kaurna\, Thura-Yura language region)\, the exhibition reckons with the echoes of immigration policies and the legacies of colonialism in Australia\, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships. \nAcross various mediums and perspectives\, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience\, drawing vital parallels between the past and present\, memory and nationhood. \nThe Neighbour at the Gate is a commissioned exhibition project for the National Art School\, proudly supported by the NSW Government through the Blockbusters Funding initiative. The exhibition will be accompanied by a publication\, learning and education framework and public programs. \n \n  \nCURATORS\nClothilde Bullen OAM\nWardandi and Badimaya curator\, writer and advocate Clothilde Bullen OAM broke new ground as the inaugural Lead\, Cultural Strategy and Development for Edith Cowan University\, Boorloo (Perth) and has since transitioned into the role of Manager Art\, Culture and Collections after completing a new Cultural Narrative framework and strategy for the university. Bullen previously worked with the Art Gallery of Western Australia where she has served on their executive team as the Senior Curator and Head of Indigenous Programs\, after 5 years at Sydney’s Museum of Contemporary Art Australia as their inaugural Senior Curator First Nations art. She is currently Co‐Chair of Indigenous Voices\, a critical writing mentoring program for First Nations writers as well as a board member of the UNESCO International Association of Art Critics (Australian chapter) and Chair of the Board of the National Association for the Visual Arts. \nMicheal Do\nMicheal Do is a curator\, writer\, programmer and broadcaster. In his current role as Senior Curator\, Contemporary Art of the Sydney Opera House\, Do has commissioned site specific installations and performance works by artists Megan Cope\, Cherine Fahd\, Lauren Brincat\,\nAngela Goh\, James Nguyen\, Victoria Pham\, Mel O’ Callaghan and Frances Barrett. His recent curatorial projects include Primavera 2022: Young Australian Artists at the Museum of Contemporary Art Australia\, Soft Core national touring exhibition from 2016–19\, Not\nNiwe\, Not Nieuw\, Not Neu (2017)\, Lee Kun Yong: Equal Area (2018\, co-curated with Mikala Tai) and The Invisible Hand (2019) for 4A Centre for Contemporary Asian Art\, and 5X5: The Artist and The Patron (2018) for Penrith Regional Gallery & The Lewers Bequest. Do has\nwritten for artist and exhibition catalogues\, art magazines including Art Collector Australia\, Art Monthly Australasia\, Art Review Asia\, and Artist Profile Magazine\, and recently hosted a season of The Art Show on ABC Radio National. \nZali Morgan\nZali Morgan is a Noongar woman with ancestral connections to Whadjuk\, Balladong\, and Wilman Boodjar. She was born and raised near Wooditchup on Wardandi Boodjar and is now based near Boorloo / Perth. As an artist\, curator\, and cultural worker\, Morgan has a\ndeep passion for working with Aboriginal and Torres Strait Islander artists\, particularly uplifting Noongar artistic practices. With a keen interest in modes of decolonising\, she has worked closely with private and institutional collections\, including the Art Gallery of Western Australia\, Wesfarmers Arts\, and the Berndt Museum of Anthropology. \nARTISTS\nJacky Cheng\nBorn 1977\, Kuala Lumpur\, Malaysia. Lives and works Yawuru Country\, Broome\, Western Australia. \nBorn in Malaysia of Chinese heritage\, Jacky Cheng weaves narratives and materials drawn from her familial and cultural experiences\, and maps these to the esoteric and social constructs of her physical environment and its collective surroundings. Deeply rooted in her own bi-cultural experience\, a focus of Cheng’s work her is an emergence of identity and awareness through cultural activities\, nostalgia and intergenerational relationships. Her predominant choice of medium reflects an intense relationship through methodologies and manipulation of papers and fibres in sculpture and installation. Cheng’s work has been exhibited nationally and internationally\, including in the Indian Ocean Craft Triennial in 2024 at Fremantle Art Centre\, the Art Gallery of Western Australia in 2023\, and The Geumgang Nature Art Biennale in South Korea in 2020. She has been the recipient of numerous awards including the 46th Fremantle Print Award in 2023\, The John Stringer Prize in 2022 and The Jury Art Prize in 2021. \nElham Eshraghian-Haakansson\nBorn 1996\, Boorloo/Perth. Lives and works Boorloo/Perth \nElham Eshraghian-Haakansson is an Iranian-Australian video artist\, researcher\, and director whose work is centered within communal and collaborative social practice. Her research navigates inherited stories and postmemory felt by displaced community through the poetics of the moving image. She invites viewers to become the ‘witness’ rather than the ‘passive bystander’\, examining empathy in film poems\, and immersive multi-media experiences facilitating a critical discussion surrounding empathy\, custodianship\, compassion\, and social change.\nEshraghian-Haakansson has collaborated with various art organisations including Spaced\, Next Wave\, Victoria Park Community Centre\, PICA\, Community Arts Network\, Immerse Australia\, Co3 Dance Contemporary and Encounter theatre. Her work has been exhibited nationally and internationally and has received numerous awards such as the Ellen José Art Prize in 2022\, the Invitation Art Prize and the 14th Arte Laguna Special Prize Award in 2020 and the Dr. Harold Schenberg Art Prize in 2018. In 2022\, she was a recipient of the inaugural\nEarly-Career Creative and Performance Leadership Fellowship 2022 with the Forrest Research Foundation. \nDennis Golding\nKamilaroi/Gamilaraay people \nBorn 1989\, Gadigal Country\, Sydney. Lives and works Gadigal Country\, Sydney Dennis Golding was raised on Gadigal Country in Sydney and stems from the Kamilaroi/Gamilaraay of Northwest NSW and Biripi of Mid-north coast of NSW. His work critiques the social\, political\, and cultural representations of race and identity\, drawing from his own experiences living in urban environments and through childhood memories. Golding graduated with a Bachelor of Fine Arts (Honours) at UNSW Art & Design in 2019 and now works independently as an artist and curator. His work has been exhibited at major institutions including the Art Gallery of South Australia\, the Art Gallery of NSW\,\nSydney Living Museums\, and Carriageworks\, and has been commissioned for various public art installations around Sydney. In 2020\, he was awarded the Create NSW Visual Arts Fellowship. \nJenna Mayilema Lee\nGulumerridjin (Larrakia)\, Wardaman and KarraJarri peoples \nBorn 1992 Kamberri/Canberra. Lives and works Naarm/Melbourne Jenna Lee’s practice explores language\, materiality\, and the transformation of inherited narratives. Intrigued by what is lost in translation\, she examines the spaces between words\, capturing overlooked subtleties. Through immersive installations\, works on paper\, sculpture\, and multimedia\, Lee delves into the scars of history and cultural legacies. By deconstructing and reconstructing materials that echo the past\, she reveals hidden stories and suppressed memories. Lee’s work reimagines dormant narratives\, inviting reflection on the complexities of inherited histories. Transformation is central to her practice\, as she\nreinterprets historical narratives to uncover unseen forces shaping identity and collective memory\, creating space for new meanings to emerge. Lee’s work has been showcased in national and international institutions including the National Gallery of Victoria\, TarraWarra Museum of Art\, and the Pitt Rivers Museum in Oxford. She is represented by MARS Gallery in Naarm/Melbourne. \nJames Nguyen\nBorn 1982\, Bảo Lộc\, Việt Nam. Lives and works Naarm/Melbourne \nJames Nguyen was born in Bảo Lộc\, Việt Nam. He is currently based in Murrumbeena (close to where the Boyds once ran their pottery studios). Nguyen’s work engages with reMatriation\, decolonial thinking and language-brokering. He makes memes\, performances\, film\, sculpture and installation etc\, drawing attention to the diasporic absurd. Nguyen has shown both ground-breaking and lacklustre work at institutions such as the Museum of Contemporary Art Australia\, the National Gallery of Victoria\, the Australian Centre for Contemporary Art\, 4A Centre for Contemporary Asian Art\, Fairfield City Museum and Gallery\, and Guangzhou Academy of Fine Art. \nJames Tylor\nKaurna\, Thura-Yura language region \nBorn 1986\, Latje Latje/Barkindji Country\, Mildura\, Victoria. Lives and works Ngunnawal/Ngambri Country\, Kamberri/Canberra James Tylor is a multi-disciplinary who explores Australian environment\, culture and social history\, through photography\, video\, painting\, drawing\, sculpture\, installation\, sound\, scents and food. He explores Australian cultural representations through the perspectives of his multicultural heritage comprising Nunga (Kaurna Miyurna)\, Māori (Te Arawa) and European (English\, Scottish\, Irish\, Dutch and Norwegian) ancestry. Tylor’s work focuses largely on the history of 19th century Australia and its continual effect on present day issues surrounding cultural identity and the environment. His research\, writing and artistic practice has focused most specifically on Kaurna indigenous culture from the Adelaide Plains region of South Australia and more broadly European colonial history in Southern Australia. His practice also explores Australian indigenous plants and the environmental landscape of Southern Australia. Tylor’s work has been exhibited widely nationally and internationally and is held in major  collections including the National Gallery of Australia\, Art Gallery of NSW\, Art Gallery of South Australia\, Art Gallery of Western Australia\, Museum of Contemporary Art Australia and the Kluge Ruhe Aboriginal Art Museum in Charlottesville\, USA \n  \nImage: James Nguyen\, Homeopathies_where new trees grow (detail)\, 2025. Installation view\, The Neighbour at the Gate\, National Art School Gallery\, Sydney\, 2025. © The artist. Photograph: Peter Morgan.
URL:https://neram.dev.nucleoserver.com/event/the-neighbour-at-the-gate/
CATEGORIES:Exhibitions
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DTSTART;TZID=Australia/Sydney:20260612T180000
DTEND;TZID=Australia/Sydney:20260719T160000
DTSTAMP:20260603T203903
CREATED:20260514T030942Z
LAST-MODIFIED:20260514T031649Z
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SUMMARY:DistoMorph: Svenja
DESCRIPTION:DistoMorph is an immersive exploration of colour\, texture and transformation inspired by the intricate forms of the natural world. Drawing from photographic observations of organic details magnified to a macro scale\, the exhibition reimagines nature through vivid distortions and abstracted forms that feel both familiar and otherworldly. Through richly embellished textile works and sculptural forms\, pattern\, shape and colour expand beyond their original boundaries\, creating kaleidoscopic compositions that celebrate beauty\, growth and sensory abundance. \n\n\n\n\n\n\nDistoMorph will exhibit at NERAM from the 12th of June until the 19th of July. \n\nOpening night will run from 6pm-8pm on Friday 12th June.\n\n\n\n\n\n\n\nImage credit: Svenja\, Expiration\, 2023. Felt\, wire\, fibre-reactive dyes. Needle and wet-felted\n\n 
URL:https://neram.dev.nucleoserver.com/event/distomorph-svenja/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2026/05/Expiration.jpg
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DTSTART;TZID=Australia/Sydney:20260612T180000
DTEND;TZID=Australia/Sydney:20260719T160000
DTSTAMP:20260603T203903
CREATED:20260514T031611Z
LAST-MODIFIED:20260518T032159Z
UID:41761-1781287200-1784476800@neram.dev.nucleoserver.com
SUMMARY:Drawn From Pain\, Written from Truth: Suad Smo and Amera Ali
DESCRIPTION:Drawn From Pain\, Written from Truth brings together the powerful testimonies of Amera Ali and Suad Smo in an exhibition that speaks to survival\, memory and resilience. Captured by ISIS as young girls during the Yezidi genocide\, both artists draw on lived experience to share deeply personal accounts of displacement\, violence and endurance. Through text\, Amera Ali reflects on trauma\, survival and the difficult process of rebuilding a life after unimaginable loss\, while Suad Smo’s artworks give visual form to grief\, cultural memory and resilience. Together\, their practices become acts of witness and resistance\, ensuring stories too often silenced are seen and heard. \n  \n \nExhibition proudly supported by Armidale Sanctuary Humanitarian Settlement \n  \n\n\n\n\n\n\nDrawn From Pain\, Written from Truth will exhibit at NERAM from the 12th of June until the 19th of July. \n\nOpening night will run from 6pm-8pm on Friday 12th June\, preceded by an artist talk at 5.30pm.\n\n\n\n\n\n\n\nImage credit: Suad Smo\, Untitled\, 2026. acrylic on canvas\n\n 
URL:https://neram.dev.nucleoserver.com/event/drawn-from-pain-written-from-truth-amera-ali-and-suad-smo/
CATEGORIES:Exhibitions
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