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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260328T100000
DTEND;TZID=Australia/Sydney:20260517T160000
DTSTAMP:20260603T181130
CREATED:20260310T010119Z
LAST-MODIFIED:20260310T010119Z
UID:40700-1774692000-1779033600@neram.dev.nucleoserver.com
SUMMARY:Experimenta Emergence: National Tour of Media Arts
DESCRIPTION:Experimenta Emergence presents the work of contemporary artists who explore emerging societal and environmental changes and offer other perspectives\, imagined possibilities and directions. \nAt a time when the unknown and maybe the unknowable is building like a wave\, these artists encourage us to question our shifting realities. What are the forces shaping our worlds? How might we encounter\, counter or adapt to the transformations of the human and more-than-human world we are part of? Can we alter current trajectories? \nThe art works these Australian and international artists have created – virtual realities\, participatory works\, and speculative fictions – will provoke you to ask questions about where we\, individually and collectively\, are going … and where we might want to go. \n  \n\nCurator: Lubi Thomas \nCuratorial Advisor: Jody Haines \n\nARTISTS \nLeah Barclay | Ina Conradi & Mark Chavez | Sophie Dumaresq | Kate Geck | Amrita Hepi | Katrin Hochschuh & Adam Donovan | Ben Joseph Andrews & Emma Roberts | Daniel McKewen | Hayley Millar Baker | Jonny Scholes | Cecilie Waagner Falkenstrøm | Wang & Söderström | Liam Young
URL:https://neram.dev.nucleoserver.com/event/experimenta-emergence-national-tour-of-media-arts/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2026/03/Experimenta-Emergence_Instagram-static_1080-x-1080_Logo-tag-3_Light-Blue.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260320T180000
DTEND;TZID=Australia/Sydney:20260426T180000
DTSTAMP:20260603T181130
CREATED:20260219T033641Z
LAST-MODIFIED:20260318T032245Z
UID:40518-1774029600-1777226400@neram.dev.nucleoserver.com
SUMMARY:Tinted: Janna Hayes and Phoebe Hillard
DESCRIPTION:This exhibition brings together two distinct artistic practices exploring how perspective shapes experience. Through contrasting approaches to colour\, form\, and process\, Hayes and Hillard examine the ways meaning is shaped by the narratives we create and the way in which we express it. \nImage: Phoebe Hillard\, Still in the moment\, 2026. pastel on paper\n  \nTinted Catalogue – Janna Hayes and Phoebe Hillard
URL:https://neram.dev.nucleoserver.com/event/tinted-janna-hayes-and-phoebee-hillard/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2026/02/PH_Still-in-the-moment_pastel-on-paper.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260320T180000
DTEND;TZID=Australia/Sydney:20260426T160000
DTSTAMP:20260603T181130
CREATED:20260210T022029Z
LAST-MODIFIED:20260217T223258Z
UID:40463-1774029600-1777219200@neram.dev.nucleoserver.com
SUMMARY:Across the Ditch (and back again)
DESCRIPTION:A collaborative printmaking project challenging participants to embrace experimentation and freedom in printmaking. Members of the Black Gully Printmakers (Armidale) and Te Kowhai Print Trust (Whangarei\, New Zealand) have provided a print to a member of the other collective who then responds to the original artist’s imagery and approach. Each participant is relieved from conceiving an entire finished work\, and instead\, brings their own flavour\, technique and finesse to another’s. The results are anyone’s guess! \n  \n  \nVIEW THE PRINTS\n  \n  \n  \n  \n  \n  \n  \n                      \n  \nImage Credit: Annie Brammal\, member of Te Kowhai Print Trust New Zealand
URL:https://neram.dev.nucleoserver.com/event/across-the-ditch/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2026/02/Annie-Brammal-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260320T180000
DTEND;TZID=Australia/Sydney:20260320T180000
DTSTAMP:20260603T181130
CREATED:20260219T035601Z
LAST-MODIFIED:20260219T035601Z
UID:40523-1774029600-1774029600@neram.dev.nucleoserver.com
SUMMARY:Opening Night
DESCRIPTION:Join us for the opening of 2 new exhibitions \nAcross the Ditch (and back again)\nTinted: Janna Hayes and Phoebe Hillard\n\n \nImage: Janna Hayes\, Out of the blue\, 2026. bitumen and oil on paper
URL:https://neram.dev.nucleoserver.com/event/opening-night-10/
CATEGORIES:Event,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2026/02/c385aebd-1ee1-4128-992d-a9244ac46b3d.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260206T180000
DTEND;TZID=Australia/Sydney:20260322T160000
DTSTAMP:20260603T181130
CREATED:20260109T025317Z
LAST-MODIFIED:20260224T025805Z
UID:40084-1770400800-1774195200@neram.dev.nucleoserver.com
SUMMARY:Traces: Memory in landscape: Beth MacRaild O'Loughlin & Eveline Chan
DESCRIPTION:Traces explores the notion of trace as memory – a mark or a moment in the landscape that connects a present glimpse with a shadow passing. Each image is a contemplation on the transient nature of our moments and the memories that inhabit these places – of what can be seen and that which is unseen\, leaving a trace that signifies the passing of time and the coexistence of the past in the present. \nTraces brings together two new bodies of work for the artists\, Eveline Chan and Beth MacRaild O’Loughlin\, who have also worked collaboratively on some pieces\, using a range of printmaking and analogue photographic practices. \nPlease use links below to view the Traces catalogue online. \nTraces Catalogue – Works by Beth MacRaild O’Loughlin \nTraces Catalogue– Collaborative Works by Beth MacRaild O’Loughlin and Evelin Chan \nTraces Catalogue– Works by Eveline Chan  \nImage: Eveline Chan and Beth MacRaild O’Loughlin\, Intersections\, 2025 . photogravure print with chine collé
URL:https://neram.dev.nucleoserver.com/event/traces-memory-in-landscape-beth-macraild-o-loughlin-eve-chan/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2026/01/Traces_Collaborative_04.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260206T180000
DTEND;TZID=Australia/Sydney:20260322T160000
DTSTAMP:20260603T181130
CREATED:20260106T003340Z
LAST-MODIFIED:20260210T044817Z
UID:39977-1770400800-1774195200@neram.dev.nucleoserver.com
SUMMARY:Intimate Connections
DESCRIPTION:Intimate Connections invites audiences to encounter the NERAM Collections through the powerful relationships that shaped some of Australia’s most significant artists. Rather than tracing art history through movements or styles\, this exhibition tells its story through human connection\, exploring how friendship\, partnership\, and love have influenced creative practice. The exhibition reveals the mutual influence and collaboration that occur when artists work in close proximity\, within shared communities and creative circles. It makes visible the often-unseen exchange of ideas between artists whose lives and practices were deeply intertwined\, demonstrating how creativity is rarely made in isolation. \n  \nImage: Emmanuel Phillips Fox\, The Butterfly\, c.1910. Oil on jute. Gift of Howard Hinton 1935.
URL:https://neram.dev.nucleoserver.com/event/intimate-connections/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2026/01/1935_66_mid.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260206T180000
DTEND;TZID=Australia/Sydney:20260322T160000
DTSTAMP:20260603T181130
CREATED:20260105T235757Z
LAST-MODIFIED:20260210T044842Z
UID:39970-1770400800-1774195200@neram.dev.nucleoserver.com
SUMMARY:echoes & silences: untethered fibre artists
DESCRIPTION:echoes & silences brings together 20 artists from the untethered fibre artists collective\, a group formed over a decade ago to champion fibre as a vital contemporary art form. Known for their inventive\, theme-driven exhibitions\, the collective pushes the boundaries of fibre practice through diverse materials\, techniques and conceptual approaches. \nechoes & silences explores both the tangible and intangible — from landscape and oceans to memory\, emotion and stillness. Across 38 meticulously crafted works\, artists reflect on personal and collective experience\, engaging with themes of family\, grief\, disability\, womanhood and connection to the natural world. Each work maintains its own voice while contributing to a richly layered and cohesive narrative\, inviting audiences to consider how fibre can speak powerfully to our shared human experience. \n  \nuntethered fibre artists inc. is an Australian collective formed over a decade ago to create professional opportunities for fibre artists and to champion technically accomplished\, conceptually rich practice. Working collaboratively around shared exhibition themes\, the group explores both intimate personal narratives and broader social and historical concerns. Using fibre in all its forms — from natural to synthetic\, traditional to technologically advanced — their work embraces diverse processes including weaving\, felting\, printing and stitching. Through open dialogue\, mutual support and strong relationships\, untethered fosters individual artistic growth while producing cohesive\, innovative exhibitions that reflect both personal vision and collective purpose. \n \nImage: Brenda Livermore\, Walking Between Worlds 11\, 2025. Mixed media.
URL:https://neram.dev.nucleoserver.com/event/echoes-and-silences-untethered-fibre-artists/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2026/01/WEBLivermore-Brenda_Walking-Between-Worlds-II-_lge.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260206T180000
DTEND;TZID=Australia/Sydney:20260315T160000
DTSTAMP:20260603T181130
CREATED:20260114T054836Z
LAST-MODIFIED:20260210T044934Z
UID:40123-1770400800-1773590400@neram.dev.nucleoserver.com
SUMMARY:Of Brushes and Light
DESCRIPTION:Of Brushes and Light celebrates the evolution of Impressionism in Australia in the late nineteenth century\, and the impact the en plein air movement had on the portrayal of the Australian landscape. During this extraordinary period of change and independence\, artists discarded conservative customs and embraced the greater freedom of a more bohemian life and outlook.  Liberated from academic and formal traditions\, they created artistic communities\, camps and societies that were brimming with camaraderie\, comradeship and irreverence. Artworks created during this time form a cornerstone of art history in Australia today\, influencing the generations of artists that followed\, and were pivotal in recognizing the extraordinary quality of light\, colour and air of Australian landscape. \nThis exhibition explores iconic artworks collected by Howard Hinton from this period and draws out the extraordinary beauty of many artists less well known from this time. \nImage: Walter Withers\, On the Beach\, (c.1902)\, oil on wood\, Gift of Howard Hinton 1939\n 
URL:https://neram.dev.nucleoserver.com/event/of-brushes-and-light/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2026/01/1939_54.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260206T180000
DTEND;TZID=Australia/Sydney:20260315T160000
DTSTAMP:20260603T181130
CREATED:20260106T010307Z
LAST-MODIFIED:20260210T044907Z
UID:39983-1770400800-1773590400@neram.dev.nucleoserver.com
SUMMARY:Summer Impressions
DESCRIPTION:Summer Impressions presents a vibrant selection of contemporary regional art\, created in dialogue with Hinton – Of Brushes and Light\, NERAM’s collection exhibition celebrating Australian Impressionism from the Howard Hinton Collection. Summer Impressions invites participating artists to explore the atmosphere\, colour and emotional resonance of summer\, its heat\, light\, movement and mood\, drawing creative inspiration from the broader impressionist sensibility: an attentiveness to fleeting moments\, sensory experience and the expressive possibilities of colour and light. The result is a rich and diverse exhibition that bridges historical influence and contemporary interpretation\, offering audiences a fresh and immersive experience of summer through the eyes of regional artists. \n  \nArtists: Eloise Roberts\, Julia Griffin\, Kerry Dunne\, Kris Jackson\, Liz Priestley\, Lizzie Horne\, Paula Jenkins\, Rita Winiger\, Simone Hale\, Stephanie Creigh\, Anna Henderson\, Gemma King \n  \nImage: Paula Jenkins\, Macdonald River\, 2025. Gouache on paper
URL:https://neram.dev.nucleoserver.com/event/summer-impressions/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2026/01/Paula-Jenkins_Macdonald-River_39x57cm_Gouache-on-paper_1600.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260206T180000
DTEND;TZID=Australia/Sydney:20260206T200000
DTSTAMP:20260603T181130
CREATED:20260109T013628Z
LAST-MODIFIED:20260114T055029Z
UID:40038-1770400800-1770408000@neram.dev.nucleoserver.com
SUMMARY:OPENING NIGHT
DESCRIPTION:Join us for the opening of 5 new exhibitions \nechoes & silences: untethered fibre artists\nIntimate Connections\nSummer Impressions\nTraces: Memory in landscape: Beth MacRaild O’ Loughlin & Eve Chan \nOf Brushes and Light 
URL:https://neram.dev.nucleoserver.com/event/opening-night-9/
CATEGORIES:Event,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2026/01/WEBLivermore-Brenda_Walking-Between-Worlds-II-_lge.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20251205T110000
DTEND;TZID=Australia/Sydney:20251205T170000
DTSTAMP:20260603T181130
CREATED:20251202T062138Z
LAST-MODIFIED:20251202T062208Z
UID:39875-1764932400-1764954000@neram.dev.nucleoserver.com
SUMMARY:NADIGA (at the Armidale Showground)
DESCRIPTION:NADIGA means walk in Anaiwan. It is also the title of a day-long exhibition by Anaiwan artist Gabi Briggs at the Armidale Showground. The notion that walking Country is a form of knowledge-regeneration underpins three works: GEDYURA\, TENYA\, and ARKAN & IRBELA. These have only ever been shown in Melbourne on Wurundjeri Country and as such\, their journey to Armidale can be understood as a return home. This exhibition forms a key component of her PhD research. \nIn Gabi’s research\, walking and the artworks that emerge from it are inseparable. The works grow from the movement\, listening\, and remembering that happen while walking on Country. This approach is grounded in her grandmother Patsy Cohen’s book\, Ingelba and the Five Black Matriarchs (1990)\, where walking emerges as a cultural practice and research methodology. Gabi extends this lineage in her own practice– through walking\, rearticulating and continuing her nan’s work in embodied\, relational ways. \nThe Armidale showground is entwined with this history of movement. Ingelba was once positioned in relation to the broader world through the walk to the Armidale Show. Under colonial control their movement became restricted\, with authorities able to order the removal of Aboriginal people from towns. Now the Showground is being returned to Ingelba’s relational frame through the artworks\, the gathering\, and the planned walk that will culminate here. \nNADIGA forms part of a longer project – to eventually walk Country with kin\, particularly the 100km path from the former Ingelba Aboriginal Reserve to the Armidale showground. As such\, NADIGA brings family together to prepare for the journey\, to deepen a shared understanding that movement across Country is an ongoing cultural practice\, and a mode of knowledge-making that persists despite colonial interruption. \n  \nImage: Poster designed by Marilena Hewitt
URL:https://neram.dev.nucleoserver.com/event/nadiga-at-the-armidale-showground/
CATEGORIES:Event,Exhibitions
ATTACH;FMTTYPE=image/png:https://neram.com.au/content/uploads/2025/12/NADIGA_4X5_1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20251114T180000
DTEND;TZID=Australia/Sydney:20260201T160000
DTSTAMP:20260603T181130
CREATED:20251029T053933Z
LAST-MODIFIED:20251029T060203Z
UID:39631-1763143200-1769961600@neram.dev.nucleoserver.com
SUMMARY:Providore: Kim Bizo
DESCRIPTION:Celebrating the joy of gathering\, Providore brings together a series of still-life paintings that revel in the simple beauty of food\, friendship and home. Continuing the artist’s exploration of pantry and fresh produce as subjects\, this vibrant body of work transforms familiar ingredients—cheese boards\, olives\, pickles\, oysters and sourdough—into sensual studies of light\, texture and abundance. \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nCredit: Kim Bizo\, Dill Pickles\, 2025\, acrylic on canvas
URL:https://neram.dev.nucleoserver.com/event/gather-around-my-table-kim-bizo/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/10/K-BizoDill-Pickles.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20251114T180000
DTEND;TZID=Australia/Sydney:20260201T160000
DTSTAMP:20260603T181130
CREATED:20251029T053618Z
LAST-MODIFIED:20251029T053618Z
UID:39628-1763143200-1769961600@neram.dev.nucleoserver.com
SUMMARY:WATER: Rowen Matthews
DESCRIPTION:Through his luminous and meditative paintings\, Rowen Matthews explores the distinctive landscapes of the New England highlands through the elemental theme of water. Focusing on the region’s many dams—iconic features that shape both ecology and imagination—Matthews reflects on how these bodies of water hold memory\, sustain life\, and mirror shifting skies. His work captures the delicate interplay between environment\, identity and belonging\, shaped by more than three decades of living and working in Armidale. Water is both an artistic and personal journey\, offering a contemplative view of landscape as a site of renewal\, reflection and deep connection. \n  \n  \n  \n  \nCredit: Rowen Matthews\, Shadow Dam\, 2025\, oil on canvas
URL:https://neram.dev.nucleoserver.com/event/water-rowen-matthews/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/10/Shadow-Dam-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20251114T180000
DTEND;TZID=Australia/Sydney:20260201T160000
DTSTAMP:20260603T181130
CREATED:20251024T051648Z
LAST-MODIFIED:20251109T035852Z
UID:39623-1763143200-1769961600@neram.dev.nucleoserver.com
SUMMARY:Echoes of the Earth: Tribal and Desert Art
DESCRIPTION:Developed through collaboration between partners in Australia and India\, Echoes of the Earth brings together Australian First Nations and Indian tribal artists whose practices bridge continents and traditions. The exhibition celebrates contemporary art grounded in ancestral knowledge\, exploring the resonances between cultures shaped by land\, spirit\, and storytelling. Through painting these artists illuminate resonate cosmologies and living traditions that trace back to the ancient supercontinent of Gondwana. Echoes of the Earth invites audiences to reflect on the enduring creativity that flows through Country and community across time and place. \n  \n  \n  \n  \n  \n  \n  \n  \n  \nCredit: Suresh Dhurve\, Ann Dai\, 2020\, acrylic on canvas. Courtesy of the artist and the Craft and Community Development Foundation \n\n          \nEchoes of the Earth: Tribal and Desert Art has been produced in partnership with the Craft and Community Development Foundation\,  Utopia Art Sydney and Papunya Tula Artists. Sponsored by Origin Energy (Renewable energy and the New England Community Investment Program) the Friends of NERAM
URL:https://neram.dev.nucleoserver.com/event/echoes-of-the-earth-tribal-and-desert-art/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/10/026-Ann-Dai-Suresh-Kumar.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20251114T180000
DTEND;TZID=Australia/Sydney:20260130T160000
DTSTAMP:20260603T181130
CREATED:20251029T054148Z
LAST-MODIFIED:20260120T000416Z
UID:39633-1763143200-1769788800@neram.dev.nucleoserver.com
SUMMARY:The Garden: Lae Oldmeadow
DESCRIPTION:In his first solo exhibition at NERAM\, outsider artist Lae Oldmeadow presents The Garden\, a contemplative and tactile installation where nature and culture intertwine. Comprising  series of Totems of Contemplation leading to the central sculptural work The Garden\, the exhibition evokes the sensation of entering a magical forest. Crafted from palm fibre\, sisal\, organic cotton and ultramarine paint\, Oldmeadow’s totems and wall sculptures explore reverence\, resilience and renewal. \n  \nCurated by Professor Pedram Khosronjead\, Western Sydney University \n  \n  \n  \n  \n  \n  \n  \n  \n  \nCredit: Lae Oldmeadow\, The Garden (detail)\, 2010-2025\, palm fibre\, organic cotton\, acrylic paint. Photograph by Nell Schofield. \n 
URL:https://neram.dev.nucleoserver.com/event/the-garden-lae-oldmeadow/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://neram.com.au/content/uploads/2025/10/1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20251114T180000
DTEND;TZID=Australia/Sydney:20251114T200000
DTSTAMP:20260603T181130
CREATED:20251029T224227Z
LAST-MODIFIED:20251110T233518Z
UID:39667-1763143200-1763150400@neram.dev.nucleoserver.com
SUMMARY:Opening Night
DESCRIPTION:Join us for the opening of five new exhibitions \nEchoes of the Earth: Tribal and Desert Art \nWATER: Rowen Matthews \nProvidore: Kim Bizo \nHow to Weather Together \nThe Garden: Lae Oldmeadow \n  \nOpening Weekend Program\nFriday 14th November \n5.30pm – Artist Talk: Lae Oldmeadow \n6.00pm – Opening Night \n6.30pm – Official opening presentation \n7.00pm – Performance: The Sign of the Times Henri van Noordenburg and Paul Smith \n  \nSaturday 15th November \n10.30am –  Packsaddle Lecture: Sundeep Bhandari\, The Gondwana Art Project \n  \n\n \n  \nCredit: Suresh Dhurve\, Ann Dai\, 2020\, acrylic on canvas. Courtesy of the artist and the Craft and Community Development Foundation \n \n \nEchoes of the Earth: Tribal and Desert Art has been produced in partnership with the Craft and Community Development Foundation\,  Utopia Art Sydney and Papunya Tula Artists. Sponsored by Origin Energy (Renewable energy and the New England Community Investment Program) the Friends of NERAM
URL:https://neram.dev.nucleoserver.com/event/opening-night-8/
CATEGORIES:Event,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/10/026-Ann-Dai-Suresh-Kumar.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20251108T100000
DTEND;TZID=Australia/Sydney:20260201T160000
DTSTAMP:20260603T181130
CREATED:20251024T050953Z
LAST-MODIFIED:20251127T221849Z
UID:39616-1762596000-1769961600@neram.dev.nucleoserver.com
SUMMARY:How to Weather Together
DESCRIPTION:How to Weather Together is a multi-artform project that explores how we live with and respond to climate change through the intimate\, daily experiences of weather—both ordinary and extreme. Bringing together illustration\, visual art\, writing\, film\, and participatory activities\, the project invites audiences to consider how the shifting climate shapes our emotions\, behaviours\, and communities. Rather than focusing solely on facts or forecasts\, How to Weather Together encourages reflection\, conversation\, and creativity\, prompting visitors to ask unusual questions and to imagine new habits\, practices\, and ways of being as we adapt to a changing ecological future. \nCurated by Jennifer Hamilton \nArtists: \n Clare Britton\, Rae Haynes\, Horizon Factory (Nina Vroemen and Erin Hill)\, Henri van Noordenburg\, Marissa Betts & Mike Terry\, Tessa Zettel & Susie Nelson\, The Weathering Collective (Tessa Zettel\, Astrida Neimanis\, Jennifer Hamilton). \n  \nCredit: Illustration by Tessa Zettel: G Market Stall from How to weather together: Feminist practice for climate change (Bloomsbury: 2026) \n  \nThis exhibition is supported by Arts North West.
URL:https://neram.dev.nucleoserver.com/event/how-to-weather-together/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/10/G_market-page-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20251024T170000
DTEND;TZID=Australia/Sydney:20251109T170000
DTSTAMP:20260603T181130
CREATED:20250714T004226Z
LAST-MODIFIED:20250723T050628Z
UID:37818-1761325200-1762707600@neram.dev.nucleoserver.com
SUMMARY:Packsaddle Exhibition 2025
DESCRIPTION:Packsaddle is an annual art exhibition that has been raising funds for NERAM since 1985. Each year the Packsaddle Exhibition presents a diverse range of paintings\, original prints and sculpture by leading Australian artists\, providing local collectors and art lovers the opportunity to purchase great artworks to start or build their own collections\, while also supporting NERAM. \nOpening Night Event: Friday 24 October >>>>> Book your free ticket \nViewing from 5.00pm | Selling from 6.00pm | Opening remarks by Christopher Hodges\, Gallery Director\, artist and owner of Utopia Art Sydney \nPacksaddle 2025 Program of Events \n\nSaturday 25 October 10.30am: Packsaddle floor talk with Christopher Hodges\nSaturday 1 November 10.30am: Packsaddle floor talk\nSunday 9 November 1.00 – 4.00pm: Pick up Party for customers to collect their works\n\n 
URL:https://neram.dev.nucleoserver.com/event/packsaddle-exhibition-2025/
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20251003T180000
DTEND;TZID=Australia/Sydney:20251109T160000
DTSTAMP:20260603T181130
CREATED:20250919T053845Z
LAST-MODIFIED:20250926T030546Z
UID:39305-1759514400-1762704000@neram.dev.nucleoserver.com
SUMMARY:NYMPHAEA NYMPHAEA : Anna Johnson
DESCRIPTION:Anna Johnson is a writer of forty years experience that came late to painting. Her art writing has been featured in Vogue\, Vanity Fair\, The Sydney Morning Herald and as a senior writer for Artist Profile. The third generation daughter of a large family of artists began her earliest work with watercolours\, expanding to increasingly large scale paintings from 2018 to the present. Johnson has held three Sydney solo shows and presents her first New York exhibition with Kutlesa Gallery\, Chelsea in March 2026. A finalist in this year’s Paddington Art prize\, Johnson describes the many Australian artists she had written about as : “My collective art school.” All works presented in “Nymphaea Nymphaea” were made exclusively for NERAM as a site specific creative project\n\n\n\nNYMPHAEA NYMPHAEA\n\nFew associate the master of Post Impressionism with minimal abstraction. In history\, Claude Monet in particular is lodged inside the most lyrical branch of landscape. His vast studies of trees\, clouds and waterlilies reflected in fathomless bodies of water present a romantic\, hyper-decorative idyll far removed from the industrial world beyond his garden walls in Giverny.\n\nYet a key fact\, perhaps forgotten\, is that Monet’s large scale Nymphaea murals were donated to France as a symbol of peace\, celebrating the Armistice after world war one. In them\, the regenerative power of ecology pushes up and out of dark pools and shadows. Gestural and abstracted\, these were not sentimental works that grieved the 19th century. I think instead that they subtly (and boldly) faced their time. The ambiguity of surface ornament and pockets of darkness in his late works serve as both evocative and ambiguous.  A century after the final Nymphaea was painted\, I feel the dynamic contradiction embedded in Monet’s turbulent and explorative beauty remains vital.  If these works were simply relaxing and re-assuring they would not be quite so magnetic. Violet\, after all\, is the fusion of red and blue\, flame and sky.\n\nMany feel that abstract painting is a genre without a subject. But when I work I do not press mute. Recently and globally\, wide spread censorship has forced many artists to resort to euphemisms. My paintings are openly about war and peace\, vulnerability and sanctuary. When I painted “Blood Cloud” there was nothing metaphoric about my palette. This work is about blood. The blue “Mythology & Muse”3 series is a quartet with an aqueous nocturnal palette. It is my homage to the water lilies\, but perhaps also a subliminal response the nebulous atmosphere of fear that permeates the news cycle like a pending cloud. In the process of completing this show for NERAM\, I found both release and respite. Compositionally many of my paintings are hollowed out like caves. In the depths of my raw linen voids\,  I seek hiding places\, coves and shelter. The project of “Nymphaea Nymphaea” is ongoing. Bridging the meeting point between Post Impressionism and Colour Field painting I found an unbroken thread: the power of colour to heal.\n  \n  \n  \n  \n  \n  \n  \n  \n  \nImage credit: Anna Johnson\, Persephone (detail)\, 2025\, Acrylic on linen.
URL:https://neram.dev.nucleoserver.com/event/nymphaea-nymphaea-anna-johnson/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/09/Crop.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250815T180000
DTEND;TZID=Australia/Sydney:20251102T160000
DTSTAMP:20260603T181130
CREATED:20250730T020946Z
LAST-MODIFIED:20250815T013805Z
UID:38683-1755280800-1762099200@neram.dev.nucleoserver.com
SUMMARY:Stages: Michael Simms
DESCRIPTION:With a background in classical piano and psychology\, Sydney based artist Michael Simms is intrigued by the interconnection of the senses – how rhythm can become gesture\, or sound can take shape as colour and form – allowing the visual and sonic to inform one another. Stages is an ongoing series of portraits by Simms\, honouring performers whose work spans music\, theatre\, dance and performance art. The series explores how presence is expressed — both onstage and off. \n  \n  \nCredit: Michael Simms\, Paul Capsis\, 2017\, oil on board.
URL:https://neram.dev.nucleoserver.com/event/stages-michael-simms/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/07/PaulCapsis_122x91cm_OilOnCanvas_2017.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250815T180000
DTEND;TZID=Australia/Sydney:20251019T160000
DTSTAMP:20260603T181130
CREATED:20250730T020415Z
LAST-MODIFIED:20250730T020415Z
UID:38676-1755280800-1760889600@neram.dev.nucleoserver.com
SUMMARY:ARTEXPRESS
DESCRIPTION:This dynamic and popular annual exhibition features a selection of exceptional student artworks created for the art-making component of the HSC examination in Visual Arts in 2024. ARTEXPRESS 2025 celebrates students’ artistic excellence and provides insight into the issues that are important to them. \n  \nARTEXPRESS is a collaboration between NSW Department of Education and NSW Education Standards Authority. \n \n  \nCredit: Eva Francesca Barnes\, Archetypal Transformations\, 2024\, photomedia.
URL:https://neram.dev.nucleoserver.com/event/artexpress/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/07/Barnes-E-F_1.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250815T180000
DTEND;TZID=Australia/Sydney:20250928T160000
DTSTAMP:20260603T181130
CREATED:20250730T021810Z
LAST-MODIFIED:20250815T013534Z
UID:38693-1755280800-1759075200@neram.dev.nucleoserver.com
SUMMARY:Personal Cinema:  Cosima Scales
DESCRIPTION:Cosima Scales’ paintings capture fleeting moments of domestic life — sunlight on floorboards\, fruit on a table — transforming everyday scenes into quiet dramas. Balancing realism and painterliness\, her works explore the rhythms of natural light and the subtle narratives of home. Personal Cinema invites viewers to find beauty and meaning in the ordinary. \nCosima Scales Exhibition Catalogue  \nPresented in partnership with AK Bellinger Gallery \n  \nCredit: Cosima Scales\, Pink bed\, 2025\, oil on board\, 40cmx60cm.
URL:https://neram.dev.nucleoserver.com/event/personal-cinema-cosima-scales/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/07/Pink-bed_oil-on-board_40cmx60cm_2025.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250815T180000
DTEND;TZID=Australia/Sydney:20250928T160000
DTSTAMP:20260603T181130
CREATED:20250730T021526Z
LAST-MODIFIED:20250815T013651Z
UID:38689-1755280800-1759075200@neram.dev.nucleoserver.com
SUMMARY:A Way with Words: Lee Bethel
DESCRIPTION:Lee Bethel explores the material and symbolic potential of paper\, cutting and shaping it into intricate forms that cast shadows of memory\, history\, and meaning. A Way with Words is a powerful reflection on feminism\, language\, and domesticity\, using song lyrics\, political speeches\, and names to honour and interrogate women’s experiences. From Julia’s Tablecloth to Counting the Dead\, Bethel’s delicate yet charged works transform the aesthetics of lace and domestic craft into acts of remembrance and resistance\, revealing unsettling truths that echo through generations. Each piece speaks quietly — but insists on being seen and heard. \n  \n  \nCredit: Lee Bethel\, Helens Tablecloth (detail)\, 2022\, watercolour and hand cut paper.
URL:https://neram.dev.nucleoserver.com/event/a-way-with-words-lee-bethel/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/07/BethelDetail_HelensTablecloth.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250725T170000
DTEND;TZID=Australia/Sydney:20250810T170000
DTSTAMP:20260603T181130
CREATED:20250717T063854Z
LAST-MODIFIED:20250725T084749Z
UID:37832-1753462800-1754845200@neram.dev.nucleoserver.com
SUMMARY:UNESAP Let's Hang It!
DESCRIPTION:Discover the talents and artwork of school students from across Northern NSW who have entered into the University of New England Schools Acquisitive Art Prize (UNESAP) and have been selected to be shown in the Let’s Hang It! exhibition. \nIn 2025\, 59 finalists have been selected from more than 500 student entries representing 46 schools in regional NSW. \nUNESAP is an annual event which provides New England/North West students\, from Kindergarten to Year 12\, the opportunity to take part in a large art prize\, be part of the wider creative community and to have their work professionally hung in an art museum. \nExhibition opening from 5.00pm Friday 25 July\, awards presentation will begin promptly at 5.30pm \nClick here to cast your vote for the 2025 UNESAP Let’s Hang It! People’s Choice Award.  Open from 6pm Friday 25 July until 6pm Sunday 10 August 2025. \n\n\nImage: Krystal Gibson\, Fruits\, 2025. acrylic on canvas. Coffs Harbour High School \nWith Thanks to Our Sponsors\nUNESAP Let’s Hang It! 2025 is proudly supported by the University of New England and Gallery 126.Their generous support helps us celebrate young artists from across the region and bring their creativity to the walls of NERAM. \n 
URL:https://neram.dev.nucleoserver.com/event/unesap-lets-hang-it/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/07/44.-Yr10_Gibson_K_CoffsHarbourHS.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250712T100000
DTEND;TZID=Australia/Sydney:20250927T160000
DTSTAMP:20260603T181130
CREATED:20250618T052618Z
LAST-MODIFIED:20250815T013736Z
UID:37460-1752314400-1758988800@neram.dev.nucleoserver.com
SUMMARY:Lost in Palm Springs
DESCRIPTION:This interdisciplinary exhibition brings together 14 creative minds – including internationally recognised artists\, photographers and thinkers from America and Australia – who respond to\, capture\, or reimagine the magical qualities of the landscape and the celebrated mid-century modern architecture found in the desert city. \n\n\n\n\nConnections between Palm Springs and Australia are remarkably strong\, particularly when viewed through the lens of the current renaissance of interest in modernist architecture. Place and home\, desert atmospheres\, landscapes (real and imagined)\, and Bauhaus sensibilities inform the works. \n\n\n\n\nThe Australian artists represented in the exhibition are Kate Ballis\, Tom Blachford\, Anna Carey\, Sam Cranstoun\, Paul Davies\, Rosi Griffin\, Vicki Stravrou\, Robyn Sweaney and Gosia Wlodarczak. American artists in the exhibition are Darren Bradley\, Jim Isermann\, Troy Kudlac\, Lance O’Donnell and Kim Stringfellow. \n\n\n\n\nCurated by artist Dr Greer Honeywill\, Lost in Palm Springs is a touring initiative developed by HOTA\, Home of the Arts\, Gold Coast in partnership with Museums & Galleries Queensland. This project has been assisted by the Australian Government through its Visions of Australia program and through the Australia Council\, its arts funding and advisory body. It is supported by the Queensland Government through Arts Queensland\, part of the Department of Communities\, Housing and Digital Economy\, and proudly sponsored by IAS Fine Art Logistics and o2 Architecture. \n\n\n\n\nMuseums & Galleries Queensland is supported by the Tim Fairfax Family Foundation and receives funds from Creative Partnerships Australia through the Australian Cultural Fund. \n\n\nEducational Resource \nLost in Palm Springs: A Creative Classroom Companion \nThis vibrant education resource is packed with fun\, flexible activities that spark curiosity and creativity across a range of subjects. With inspiring artworks\, big ideas\, and hands-on thinking routines\, it’s designed to get students exploring place\, culture\, design and sustainability in fresh and meaningful ways. Whether you’re teaching art\, geography\, humanities or beyond\, you’ll find ready-to-go content linked to the Australian Curriculum and Cross-Curriculum Priorities. \nFollow this link: https://we.tl/t-oBQ2BZaM08 \n\n \nImage: Kate Ballis\, 2350\, 2017. Archival pigment ink on cotton rag. 103 x 153 cm. Image courtesy of the artist
URL:https://neram.dev.nucleoserver.com/event/lost-in-palm-springs/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/06/2350-1-Kate-Ballis.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250613T180000
DTEND;TZID=Australia/Sydney:20250810T180000
DTSTAMP:20260603T181130
CREATED:20250527T002151Z
LAST-MODIFIED:20250527T004226Z
UID:37261-1749837600-1754848800@neram.dev.nucleoserver.com
SUMMARY:EMANATE: Recent National Art School Graduates
DESCRIPTION:EMANATE showcases the works of ten graduating students\, selected from the Bachelor of Fine Arts and Postgrad final exhibitions held at the National Art School Gallery and Raynor Hoff Project Space in 2024. While the exhibition represents just a small sample of the many outstanding NAS graduates\, the selected students are drawn from across the full range of disciplines taught at NAS including painting\, sculpture\, ceramics\, photo media and printmaking. \nArtists include: Benjamin Akuila\, Eleanor Harris\, Grace Buckley\, Imogen Rowe\, Julie Edgar\, Maram Hassan\, Mia Ardianto\, Quan Zhu Ma\, Sophie Victoria and Zi Xin. \n  \n\n\n\nImage credit: Benjamin Akuila\, Emeline (Bumping Purses)\, 2024\, stoneware\, gold spray paint. Courtesy the artist.
URL:https://neram.dev.nucleoserver.com/event/emanate-recent-national-art-school-graduates/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/05/Emeline-Bumping-Pursessml.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250613T180000
DTEND;TZID=Australia/Sydney:20250803T160000
DTSTAMP:20260603T181130
CREATED:20250527T003238Z
LAST-MODIFIED:20250716T025244Z
UID:37270-1749837600-1754236800@neram.dev.nucleoserver.com
SUMMARY:Night & Day: Jane O’Sullivan
DESCRIPTION:Inspired by the evocative Cole Porter lyrics— \n“Night and day\, you are the one\nOnly you beneath the moon and under the sun.” \n—this series of abstract landscapes by Jane O’Sullivan explores the shifting moods and colours of the Australian landscape across time and season. The works celebrate not only place\, but the emotions and sensory experiences tied to different times of day and year. \n  \nThe exhibition was sparked by the creation of a single painting\, Night and Day\, which\, to the artist’s surprise\, appeared to depict a landscape caught simultaneously in sunlight and moonlight. This accidental duality prompted O’Sullivan to delve deeper into painting landscapes where the distinctions between light and dark\, day and night\, season and sensation are blurred and reimagined. \n  \n  \nCredit: Jane O’Sullivan\, Night and Day\, 2024\, acrylic on canvas. Courtesy the artist.
URL:https://neram.dev.nucleoserver.com/event/night-day-jane-osullivan/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/05/-Night-and-Day-75H-X-100Wsml.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250613T180000
DTEND;TZID=Australia/Sydney:20250720T160000
DTSTAMP:20260603T181130
CREATED:20250527T002720Z
LAST-MODIFIED:20250527T004201Z
UID:37265-1749837600-1753027200@neram.dev.nucleoserver.com
SUMMARY:From Gunnedah to Gara Gorge: Anna Henderson\, Maree Kelly and David Manks
DESCRIPTION:This exhibition brings together three regional artists—Anna Henderson\, Maree Kelly and David Manks—who explore the diverse and striking landscapes of northern New South Wales through deeply personal and place-based practices. \n\n\nTraversing the vast Mooki and Namoi floodplains near Gunnedah\, the granite country of Uralla and Armidale\, and the dramatic escarpments of the New England gorges\, each artist offers a unique response to land\, light\, and memory. Together\, these works offer more than depictions of scenery—they reflect on how we see\, remember\, and connect with the land. From Gunnedah to Gara Gorge is a contemplative journey through Country\, rich with personal insight and artistic exploration. \n\n\n\n  \n\n\n\n  \n  \nImage credit: Maree Kelly\, Radiance and Shadows\, 2025\, oil on canvas. Courtesy the artist.
URL:https://neram.dev.nucleoserver.com/event/from-gunnedah-to-gara-gorge-anna-henderson-maree-kelly-and-david-manks/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/05/MKelly_RadianceShadows_2025sml.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250613T180000
DTEND;TZID=Australia/Sydney:20250613T200000
DTSTAMP:20260603T181130
CREATED:20250527T010314Z
LAST-MODIFIED:20250527T011421Z
UID:37276-1749837600-1749844800@neram.dev.nucleoserver.com
SUMMARY:Opening Night
DESCRIPTION:Join us for the opening of three new exhibitions. \nEMANATE: Recent National Art School Graduates \nFrom Gunnedah to Gara Gorge: Anna Henderson\, Maree Kelly and David Manks \nNight & Day: Jane O’Sullivan \n  \n\n\n 
URL:https://neram.dev.nucleoserver.com/event/opening-night-6/
CATEGORIES:Event,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/05/Emeline-Bumping-Pursessml.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250509T180000
DTEND;TZID=Australia/Sydney:20250720T160000
DTSTAMP:20260603T181130
CREATED:20250430T074020Z
LAST-MODIFIED:20250430T130634Z
UID:35397-1746813600-1753027200@neram.dev.nucleoserver.com
SUMMARY:Movers and Shakers  |  Celebrating Art Deco
DESCRIPTION:The birth of Art Deco has been attributed to an exhibition held in France in 1925\, Exposition internationale des arts décoratifs et industriels modernes. It highlighted the new modern style of architecture\, interior decoration\, furniture\, glass\, jewellery and other decorative arts in Europe and throughout the world. Australia was not immune and this exhibition\, sourced from the NERAM collections\, celebrates the centenary of art deco by highlighting influential people\, showcasing the style\, and the city of Sydney where art deco has had a lasting impact. \n\n\nFeatures work by Herbert Badham\, Grace Crowley\, Douglas Dundas\, Adrian Feint\, Raynor Hoff\, Margaret Preston\, Thea Proctor\, Ethel Spowers\, Sydney Ure Smith\, Doris Zinkeisen and more \n\n\n\nImage credit: Adrian Feint\, The Dawn (The Howard Hinton Collections Album)\, 1925\, pen and ink on paper. Bequest of Howard Hinton 1948. The Howard Hinton Collection.
URL:https://neram.dev.nucleoserver.com/event/movers-and-shakers-celebrating-art-deco/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/04/1948_17.jpg
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