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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20251003T180000
DTEND;TZID=Australia/Sydney:20251109T160000
DTSTAMP:20260603T203629
CREATED:20250919T053845Z
LAST-MODIFIED:20250926T030546Z
UID:39305-1759514400-1762704000@neram.dev.nucleoserver.com
SUMMARY:NYMPHAEA NYMPHAEA : Anna Johnson
DESCRIPTION:Anna Johnson is a writer of forty years experience that came late to painting. Her art writing has been featured in Vogue\, Vanity Fair\, The Sydney Morning Herald and as a senior writer for Artist Profile. The third generation daughter of a large family of artists began her earliest work with watercolours\, expanding to increasingly large scale paintings from 2018 to the present. Johnson has held three Sydney solo shows and presents her first New York exhibition with Kutlesa Gallery\, Chelsea in March 2026. A finalist in this year’s Paddington Art prize\, Johnson describes the many Australian artists she had written about as : “My collective art school.” All works presented in “Nymphaea Nymphaea” were made exclusively for NERAM as a site specific creative project\n\n\n\nNYMPHAEA NYMPHAEA\n\nFew associate the master of Post Impressionism with minimal abstraction. In history\, Claude Monet in particular is lodged inside the most lyrical branch of landscape. His vast studies of trees\, clouds and waterlilies reflected in fathomless bodies of water present a romantic\, hyper-decorative idyll far removed from the industrial world beyond his garden walls in Giverny.\n\nYet a key fact\, perhaps forgotten\, is that Monet’s large scale Nymphaea murals were donated to France as a symbol of peace\, celebrating the Armistice after world war one. In them\, the regenerative power of ecology pushes up and out of dark pools and shadows. Gestural and abstracted\, these were not sentimental works that grieved the 19th century. I think instead that they subtly (and boldly) faced their time. The ambiguity of surface ornament and pockets of darkness in his late works serve as both evocative and ambiguous.  A century after the final Nymphaea was painted\, I feel the dynamic contradiction embedded in Monet’s turbulent and explorative beauty remains vital.  If these works were simply relaxing and re-assuring they would not be quite so magnetic. Violet\, after all\, is the fusion of red and blue\, flame and sky.\n\nMany feel that abstract painting is a genre without a subject. But when I work I do not press mute. Recently and globally\, wide spread censorship has forced many artists to resort to euphemisms. My paintings are openly about war and peace\, vulnerability and sanctuary. When I painted “Blood Cloud” there was nothing metaphoric about my palette. This work is about blood. The blue “Mythology & Muse”3 series is a quartet with an aqueous nocturnal palette. It is my homage to the water lilies\, but perhaps also a subliminal response the nebulous atmosphere of fear that permeates the news cycle like a pending cloud. In the process of completing this show for NERAM\, I found both release and respite. Compositionally many of my paintings are hollowed out like caves. In the depths of my raw linen voids\,  I seek hiding places\, coves and shelter. The project of “Nymphaea Nymphaea” is ongoing. Bridging the meeting point between Post Impressionism and Colour Field painting I found an unbroken thread: the power of colour to heal.\n  \n  \n  \n  \n  \n  \n  \n  \n  \nImage credit: Anna Johnson\, Persephone (detail)\, 2025\, Acrylic on linen.
URL:https://neram.dev.nucleoserver.com/event/nymphaea-nymphaea-anna-johnson/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/09/Crop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250815T180000
DTEND;TZID=Australia/Sydney:20251102T160000
DTSTAMP:20260603T203629
CREATED:20250730T020946Z
LAST-MODIFIED:20250815T013805Z
UID:38683-1755280800-1762099200@neram.dev.nucleoserver.com
SUMMARY:Stages: Michael Simms
DESCRIPTION:With a background in classical piano and psychology\, Sydney based artist Michael Simms is intrigued by the interconnection of the senses – how rhythm can become gesture\, or sound can take shape as colour and form – allowing the visual and sonic to inform one another. Stages is an ongoing series of portraits by Simms\, honouring performers whose work spans music\, theatre\, dance and performance art. The series explores how presence is expressed — both onstage and off. \n  \n  \nCredit: Michael Simms\, Paul Capsis\, 2017\, oil on board.
URL:https://neram.dev.nucleoserver.com/event/stages-michael-simms/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/07/PaulCapsis_122x91cm_OilOnCanvas_2017.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250815T180000
DTEND;TZID=Australia/Sydney:20251019T160000
DTSTAMP:20260603T203629
CREATED:20250730T020415Z
LAST-MODIFIED:20250730T020415Z
UID:38676-1755280800-1760889600@neram.dev.nucleoserver.com
SUMMARY:ARTEXPRESS
DESCRIPTION:This dynamic and popular annual exhibition features a selection of exceptional student artworks created for the art-making component of the HSC examination in Visual Arts in 2024. ARTEXPRESS 2025 celebrates students’ artistic excellence and provides insight into the issues that are important to them. \n  \nARTEXPRESS is a collaboration between NSW Department of Education and NSW Education Standards Authority. \n \n  \nCredit: Eva Francesca Barnes\, Archetypal Transformations\, 2024\, photomedia.
URL:https://neram.dev.nucleoserver.com/event/artexpress/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/07/Barnes-E-F_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250815T180000
DTEND;TZID=Australia/Sydney:20250928T160000
DTSTAMP:20260603T203629
CREATED:20250730T021810Z
LAST-MODIFIED:20250815T013534Z
UID:38693-1755280800-1759075200@neram.dev.nucleoserver.com
SUMMARY:Personal Cinema:  Cosima Scales
DESCRIPTION:Cosima Scales’ paintings capture fleeting moments of domestic life — sunlight on floorboards\, fruit on a table — transforming everyday scenes into quiet dramas. Balancing realism and painterliness\, her works explore the rhythms of natural light and the subtle narratives of home. Personal Cinema invites viewers to find beauty and meaning in the ordinary. \nCosima Scales Exhibition Catalogue  \nPresented in partnership with AK Bellinger Gallery \n  \nCredit: Cosima Scales\, Pink bed\, 2025\, oil on board\, 40cmx60cm.
URL:https://neram.dev.nucleoserver.com/event/personal-cinema-cosima-scales/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/07/Pink-bed_oil-on-board_40cmx60cm_2025.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250815T180000
DTEND;TZID=Australia/Sydney:20250928T160000
DTSTAMP:20260603T203629
CREATED:20250730T021526Z
LAST-MODIFIED:20250815T013651Z
UID:38689-1755280800-1759075200@neram.dev.nucleoserver.com
SUMMARY:A Way with Words: Lee Bethel
DESCRIPTION:Lee Bethel explores the material and symbolic potential of paper\, cutting and shaping it into intricate forms that cast shadows of memory\, history\, and meaning. A Way with Words is a powerful reflection on feminism\, language\, and domesticity\, using song lyrics\, political speeches\, and names to honour and interrogate women’s experiences. From Julia’s Tablecloth to Counting the Dead\, Bethel’s delicate yet charged works transform the aesthetics of lace and domestic craft into acts of remembrance and resistance\, revealing unsettling truths that echo through generations. Each piece speaks quietly — but insists on being seen and heard. \n  \n  \nCredit: Lee Bethel\, Helens Tablecloth (detail)\, 2022\, watercolour and hand cut paper.
URL:https://neram.dev.nucleoserver.com/event/a-way-with-words-lee-bethel/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/07/BethelDetail_HelensTablecloth.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250725T170000
DTEND;TZID=Australia/Sydney:20250810T170000
DTSTAMP:20260603T203629
CREATED:20250717T063854Z
LAST-MODIFIED:20250725T084749Z
UID:37832-1753462800-1754845200@neram.dev.nucleoserver.com
SUMMARY:UNESAP Let's Hang It!
DESCRIPTION:Discover the talents and artwork of school students from across Northern NSW who have entered into the University of New England Schools Acquisitive Art Prize (UNESAP) and have been selected to be shown in the Let’s Hang It! exhibition. \nIn 2025\, 59 finalists have been selected from more than 500 student entries representing 46 schools in regional NSW. \nUNESAP is an annual event which provides New England/North West students\, from Kindergarten to Year 12\, the opportunity to take part in a large art prize\, be part of the wider creative community and to have their work professionally hung in an art museum. \nExhibition opening from 5.00pm Friday 25 July\, awards presentation will begin promptly at 5.30pm \nClick here to cast your vote for the 2025 UNESAP Let’s Hang It! People’s Choice Award.  Open from 6pm Friday 25 July until 6pm Sunday 10 August 2025. \n\n\nImage: Krystal Gibson\, Fruits\, 2025. acrylic on canvas. Coffs Harbour High School \nWith Thanks to Our Sponsors\nUNESAP Let’s Hang It! 2025 is proudly supported by the University of New England and Gallery 126.Their generous support helps us celebrate young artists from across the region and bring their creativity to the walls of NERAM. \n 
URL:https://neram.dev.nucleoserver.com/event/unesap-lets-hang-it/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/07/44.-Yr10_Gibson_K_CoffsHarbourHS.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250712T100000
DTEND;TZID=Australia/Sydney:20250927T160000
DTSTAMP:20260603T203629
CREATED:20250618T052618Z
LAST-MODIFIED:20250815T013736Z
UID:37460-1752314400-1758988800@neram.dev.nucleoserver.com
SUMMARY:Lost in Palm Springs
DESCRIPTION:This interdisciplinary exhibition brings together 14 creative minds – including internationally recognised artists\, photographers and thinkers from America and Australia – who respond to\, capture\, or reimagine the magical qualities of the landscape and the celebrated mid-century modern architecture found in the desert city. \n\n\n\n\nConnections between Palm Springs and Australia are remarkably strong\, particularly when viewed through the lens of the current renaissance of interest in modernist architecture. Place and home\, desert atmospheres\, landscapes (real and imagined)\, and Bauhaus sensibilities inform the works. \n\n\n\n\nThe Australian artists represented in the exhibition are Kate Ballis\, Tom Blachford\, Anna Carey\, Sam Cranstoun\, Paul Davies\, Rosi Griffin\, Vicki Stravrou\, Robyn Sweaney and Gosia Wlodarczak. American artists in the exhibition are Darren Bradley\, Jim Isermann\, Troy Kudlac\, Lance O’Donnell and Kim Stringfellow. \n\n\n\n\nCurated by artist Dr Greer Honeywill\, Lost in Palm Springs is a touring initiative developed by HOTA\, Home of the Arts\, Gold Coast in partnership with Museums & Galleries Queensland. This project has been assisted by the Australian Government through its Visions of Australia program and through the Australia Council\, its arts funding and advisory body. It is supported by the Queensland Government through Arts Queensland\, part of the Department of Communities\, Housing and Digital Economy\, and proudly sponsored by IAS Fine Art Logistics and o2 Architecture. \n\n\n\n\nMuseums & Galleries Queensland is supported by the Tim Fairfax Family Foundation and receives funds from Creative Partnerships Australia through the Australian Cultural Fund. \n\n\nEducational Resource \nLost in Palm Springs: A Creative Classroom Companion \nThis vibrant education resource is packed with fun\, flexible activities that spark curiosity and creativity across a range of subjects. With inspiring artworks\, big ideas\, and hands-on thinking routines\, it’s designed to get students exploring place\, culture\, design and sustainability in fresh and meaningful ways. Whether you’re teaching art\, geography\, humanities or beyond\, you’ll find ready-to-go content linked to the Australian Curriculum and Cross-Curriculum Priorities. \nFollow this link: https://we.tl/t-oBQ2BZaM08 \n\n \nImage: Kate Ballis\, 2350\, 2017. Archival pigment ink on cotton rag. 103 x 153 cm. Image courtesy of the artist
URL:https://neram.dev.nucleoserver.com/event/lost-in-palm-springs/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/06/2350-1-Kate-Ballis.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250613T180000
DTEND;TZID=Australia/Sydney:20250810T180000
DTSTAMP:20260603T203629
CREATED:20250527T002151Z
LAST-MODIFIED:20250527T004226Z
UID:37261-1749837600-1754848800@neram.dev.nucleoserver.com
SUMMARY:EMANATE: Recent National Art School Graduates
DESCRIPTION:EMANATE showcases the works of ten graduating students\, selected from the Bachelor of Fine Arts and Postgrad final exhibitions held at the National Art School Gallery and Raynor Hoff Project Space in 2024. While the exhibition represents just a small sample of the many outstanding NAS graduates\, the selected students are drawn from across the full range of disciplines taught at NAS including painting\, sculpture\, ceramics\, photo media and printmaking. \nArtists include: Benjamin Akuila\, Eleanor Harris\, Grace Buckley\, Imogen Rowe\, Julie Edgar\, Maram Hassan\, Mia Ardianto\, Quan Zhu Ma\, Sophie Victoria and Zi Xin. \n  \n\n\n\nImage credit: Benjamin Akuila\, Emeline (Bumping Purses)\, 2024\, stoneware\, gold spray paint. Courtesy the artist.
URL:https://neram.dev.nucleoserver.com/event/emanate-recent-national-art-school-graduates/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/05/Emeline-Bumping-Pursessml.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250613T180000
DTEND;TZID=Australia/Sydney:20250803T160000
DTSTAMP:20260603T203629
CREATED:20250527T003238Z
LAST-MODIFIED:20250716T025244Z
UID:37270-1749837600-1754236800@neram.dev.nucleoserver.com
SUMMARY:Night & Day: Jane O’Sullivan
DESCRIPTION:Inspired by the evocative Cole Porter lyrics— \n“Night and day\, you are the one\nOnly you beneath the moon and under the sun.” \n—this series of abstract landscapes by Jane O’Sullivan explores the shifting moods and colours of the Australian landscape across time and season. The works celebrate not only place\, but the emotions and sensory experiences tied to different times of day and year. \n  \nThe exhibition was sparked by the creation of a single painting\, Night and Day\, which\, to the artist’s surprise\, appeared to depict a landscape caught simultaneously in sunlight and moonlight. This accidental duality prompted O’Sullivan to delve deeper into painting landscapes where the distinctions between light and dark\, day and night\, season and sensation are blurred and reimagined. \n  \n  \nCredit: Jane O’Sullivan\, Night and Day\, 2024\, acrylic on canvas. Courtesy the artist.
URL:https://neram.dev.nucleoserver.com/event/night-day-jane-osullivan/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/05/-Night-and-Day-75H-X-100Wsml.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250613T180000
DTEND;TZID=Australia/Sydney:20250720T160000
DTSTAMP:20260603T203629
CREATED:20250527T002720Z
LAST-MODIFIED:20250527T004201Z
UID:37265-1749837600-1753027200@neram.dev.nucleoserver.com
SUMMARY:From Gunnedah to Gara Gorge: Anna Henderson\, Maree Kelly and David Manks
DESCRIPTION:This exhibition brings together three regional artists—Anna Henderson\, Maree Kelly and David Manks—who explore the diverse and striking landscapes of northern New South Wales through deeply personal and place-based practices. \n\n\nTraversing the vast Mooki and Namoi floodplains near Gunnedah\, the granite country of Uralla and Armidale\, and the dramatic escarpments of the New England gorges\, each artist offers a unique response to land\, light\, and memory. Together\, these works offer more than depictions of scenery—they reflect on how we see\, remember\, and connect with the land. From Gunnedah to Gara Gorge is a contemplative journey through Country\, rich with personal insight and artistic exploration. \n\n\n\n  \n\n\n\n  \n  \nImage credit: Maree Kelly\, Radiance and Shadows\, 2025\, oil on canvas. Courtesy the artist.
URL:https://neram.dev.nucleoserver.com/event/from-gunnedah-to-gara-gorge-anna-henderson-maree-kelly-and-david-manks/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/05/MKelly_RadianceShadows_2025sml.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250613T180000
DTEND;TZID=Australia/Sydney:20250613T200000
DTSTAMP:20260603T203629
CREATED:20250527T010314Z
LAST-MODIFIED:20250527T011421Z
UID:37276-1749837600-1749844800@neram.dev.nucleoserver.com
SUMMARY:Opening Night
DESCRIPTION:Join us for the opening of three new exhibitions. \nEMANATE: Recent National Art School Graduates \nFrom Gunnedah to Gara Gorge: Anna Henderson\, Maree Kelly and David Manks \nNight & Day: Jane O’Sullivan \n  \n\n\n 
URL:https://neram.dev.nucleoserver.com/event/opening-night-6/
CATEGORIES:Event,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/05/Emeline-Bumping-Pursessml.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250509T180000
DTEND;TZID=Australia/Sydney:20250720T160000
DTSTAMP:20260603T203629
CREATED:20250430T074020Z
LAST-MODIFIED:20250430T130634Z
UID:35397-1746813600-1753027200@neram.dev.nucleoserver.com
SUMMARY:Movers and Shakers  |  Celebrating Art Deco
DESCRIPTION:The birth of Art Deco has been attributed to an exhibition held in France in 1925\, Exposition internationale des arts décoratifs et industriels modernes. It highlighted the new modern style of architecture\, interior decoration\, furniture\, glass\, jewellery and other decorative arts in Europe and throughout the world. Australia was not immune and this exhibition\, sourced from the NERAM collections\, celebrates the centenary of art deco by highlighting influential people\, showcasing the style\, and the city of Sydney where art deco has had a lasting impact. \n\n\nFeatures work by Herbert Badham\, Grace Crowley\, Douglas Dundas\, Adrian Feint\, Raynor Hoff\, Margaret Preston\, Thea Proctor\, Ethel Spowers\, Sydney Ure Smith\, Doris Zinkeisen and more \n\n\n\nImage credit: Adrian Feint\, The Dawn (The Howard Hinton Collections Album)\, 1925\, pen and ink on paper. Bequest of Howard Hinton 1948. The Howard Hinton Collection.
URL:https://neram.dev.nucleoserver.com/event/movers-and-shakers-celebrating-art-deco/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/04/1948_17.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250509T180000
DTEND;TZID=Australia/Sydney:20250608T160000
DTSTAMP:20260603T203629
CREATED:20250430T072501Z
LAST-MODIFIED:20250430T074228Z
UID:35395-1746813600-1749398400@neram.dev.nucleoserver.com
SUMMARY:Outside our doors  | Ascent GROUP exhibition
DESCRIPTION:The Ascent Group proudly presents Outside Our Studio Doors\, a joyful and vibrant exhibition created by participants who work from the Packsaddle Studio at NERAM three days a week. \n\n\nGuided by artist facilitator Lucy McCann\, the group explored their local surroundings for inspiration—collecting materials\, observing nature\, and taking photographs. Through a creative journey of journal work\, frottage\, printing\, pattern-making and collage\, they’ve brought together a collection that captures both the process and the delight of artistic discovery. \n\n\nThis exhibition is a celebration of creativity\, connection\, and the joy found just outside the studio doors. \n\n\nAscent has been supporting people with disability across the New England region for over 60 years\, offering choice\, creating opportunity\, and developing lifelong skills in an inclusive community.
URL:https://neram.dev.nucleoserver.com/event/outside-our-studio-doors-ascent-group-exhibition/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/04/Participants-paintings-for-Neram-smaller-file.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250509T180000
DTEND;TZID=Australia/Sydney:20250509T200000
DTSTAMP:20260603T203629
CREATED:20250430T075345Z
LAST-MODIFIED:20250430T131328Z
UID:35391-1746813600-1746820800@neram.dev.nucleoserver.com
SUMMARY:Opening Night
DESCRIPTION:Join us for the opening of two new exhibitions. \n  \nOutside our doors | Ascent GROUP exhibition \nMovers and Shakers | Celebrating Art Deco \n\n \nImage credit:  ASCENT Group works\, 2025.
URL:https://neram.dev.nucleoserver.com/event/opening-night-5/
CATEGORIES:Event,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/04/Participants-paintings-for-Neram-smaller-file.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250411T180000
DTEND;TZID=Australia/Sydney:20250706T160000
DTSTAMP:20260603T203629
CREATED:20250311T013058Z
LAST-MODIFIED:20250327T233244Z
UID:34947-1744394400-1751817600@neram.dev.nucleoserver.com
SUMMARY:The Landscape of Giving: Celebrating 10 years of the Adopt an Artwork program at NERAM
DESCRIPTION:NERAM is proud to celebrate the tenth anniversary of its Adopt an Artwork program\, developed to support the ongoing preservation and conservation of artworks across the NERAM collections. Since the program was launched in 2015\, over 208 artworks have been adopted for treatment and over $460\,000 in funding has been raised. Showcasing a large selection of artworks that have undergone preservation treatments over the decade and acknowledging the incredible and generous support received from community engagement\, this exhibition offers a glimpse behind the scenes of the program and a new range of artworks from NERAM available for adoption. \nThe exhibition will be opened by Julian Bickersteth AO\, CEO of International Conservation Services on Friday 11th April 2025 at 6.30 pm \nPlease join us at 5.45pm in the Mazda Gallery to share Julian’s global experience in conservation\, with highlights from the past 10 years of the Adopt An Artwork Program\, and celebrate the generous contributions to this incredible project which supports the preservation of our beautiful collection. \n  \n  \n \nSupported by Packsaddle \n  \n  \nCredit: Brett Whiteley\, Self portrait\, (c. 1972)\, ink on linen\, (cropped) Gift of Chandler Coventry 1979. The Chandler Coventry Collection. Sponsored by Wesfarmers in 2015 for the Adopt An Artwork Program.
URL:https://neram.dev.nucleoserver.com/event/the-landscape-of-giving-celebrating-10-years-of-the-adopt-an-artwork-program-at-neram/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/03/1979_17sml-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250411T180000
DTEND;TZID=Australia/Sydney:20250608T160000
DTSTAMP:20260603T203629
CREATED:20250328T002252Z
LAST-MODIFIED:20250502T031328Z
UID:35097-1744394400-1749398400@neram.dev.nucleoserver.com
SUMMARY:2025 Galah Regional Photography Prize
DESCRIPTION:The biennial Galah Regional Photography Prize\, established in 2023\, has been created to encourage excellence in contemporary photography from regional Australia. The intention of the prize is to celebrate\, support and advance the practice of regional photographers. \nGalah has announced 42 contemporary photographs as finalists in this year’s $27\,000 Regional Photography Prize\, Australia’s richest photography prize for regional artists. The judging panel selected 42 images made by 37 regional photographers from more than 1100 entries across regional Australia. \nThe finalists’ work will be presented at the New England Regional Art Museum in Armidale\, NSW\, in an eight week exhibition from 11 April to 8 June 2025. \nThe winning works will be announced at an exhibition party at NERAM on Friday 2 May 2025. \n  \nImage: Mike Terry\, Beef Week\, 2024. Ilford Fibre Gloss 310gsm – archival print
URL:https://neram.dev.nucleoserver.com/event/2025-galah-regional-photography-prize/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/03/Terry_Mike_Beef_Week-1-.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250411T180000
DTEND;TZID=Australia/Sydney:20250608T160000
DTSTAMP:20260603T203629
CREATED:20250325T061713Z
LAST-MODIFIED:20250410T095948Z
UID:35056-1744394400-1749398400@neram.dev.nucleoserver.com
SUMMARY:Halfway Home: Bridie McKelvey
DESCRIPTION:A solo exhibition of delightful and whimsical assemblages and dioramas representing a small escape from life’s hectic and sometimes harsh realities. Bridie McKelvey’s work takes seemingly mundane objects transforming them into intricate reimagined landscapes. Favoured materials include paper\, tins\, toys\, beads\, threads\, old books\, paper\, found objects\, wire and pressed flowers\, that are applied with repetition throughout her work – continually toying with colour\, balance and texture\, and delivering on an objective that is purely decorative and designed to delight. \n  \nNow based in the Northern Rivers\, Bridie McKelvey grew up and attended high school in Armidale. McKelvey has studied visual arts and graphic design and has participated in several group exhibitions in NSW. \n  \n  \n  \n  \n  \nCredit: Bridie McKelvey\, Owl and flowers\, n.d.\, mixed media assemblage. Courtesy the artist.
URL:https://neram.dev.nucleoserver.com/event/halfway-homes-bridie-mckelvey/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/03/BMcKelvey_owl-and-flowers.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250411T180000
DTEND;TZID=Australia/Sydney:20250411T200000
DTSTAMP:20260603T203629
CREATED:20250325T060438Z
LAST-MODIFIED:20250401T233222Z
UID:35050-1744394400-1744401600@neram.dev.nucleoserver.com
SUMMARY:Opening Night
DESCRIPTION:Join us for the opening of three new exhibitions. \nThe Landscape of Giving: Celebrating 10 years of the Adopt an Artwork program at NERAM\n  \nHalfway Home: Bridie McKelvey\n  \nGalah: Regional Photography Prize\n  \nOpening remarks will commence at 6.30pm \nJoin us prior to the opening at 5.45pm to hear from Julian Bickersteth AO\, CEO of International Conservation Services. Julian will discuss his global experience in conservation\, with highlights from the past 10 years of NERAM’s Adopt An Artwork Program\, and celebrate the generous contributions to this incredible project which supports the preservation of our beautiful collection. Please R.S.V.P for the talk here… \n\n\nImage credit:  Elioth Gruner\, Winter Afternoon\, Bellingen\, 1937\, oil on canvas. Gift of Howard Hinton 1938. The Howard Hinton Collection. Sponsored by Paul & Miriam Martin\, Lynne Walker and Richard Bird in 2021 for the Adopt An Artwork Program. \n 
URL:https://neram.dev.nucleoserver.com/event/opening-night-4/
CATEGORIES:Collections,Event,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/03/1938_25-post-treatment.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250321T180000
DTEND;TZID=Australia/Sydney:20250504T160000
DTSTAMP:20260603T203629
CREATED:20250305T001744Z
LAST-MODIFIED:20250401T233349Z
UID:34877-1742580000-1746374400@neram.dev.nucleoserver.com
SUMMARY:Fifty/ 50
DESCRIPTION:Back by popular demand! Fifty/ 50 is an exhibition\, it’s a raffle\, and it’s a fundraiser for the Art Museum. Artists have donated artworks that are up for grabs in a progressive raffle that will be drawn at the conclusion of the exhibition. If your name gets drawn out first\, you get first pick from all of the artworks on display\, and so on until the last person drawn gets the last artwork remaining. There are limited tickets available and with artworks by artists such Ben Quilty\, Angus Nivison\, Del Kathryn Barton\, Isabelle Devos\, Ken Done\, Stuart Boggs\, Hiromi Tango\, Paula Jenkins\, Martin King\, Adrian Lockhart\, and Caroline Zilinsky\, we suggest you buy yours quick! \nOpening night: Friday 21 March\, 6-8pm \nFifty/ 50 will be drawn on Sunday 4 May\, 3pm \nFifty/ 50 artists include: Adrian Lockhart\, Alex Sugar\, Angus Nivison\, Anna Johnson\, Anne-Marie Zanetti\, Arthur Boyd\, Ben Frost\, Ben Quilty\, Caroline Zilinsky\, Chelsea Gustafsson\,  Del Kathryn Barton\, Denise Faulkner\, Ebony Russell\, Elizabeth Barnett\, Emily Day\, Fiona O’Byrne\, Hiromi Tango\, Isabelle Devos\, John R Walker\, Judith Nangala Crispin\, Julianne Ross Allcorn\, Kate Rohde\, Ken Done\, Leah Bullen\, Lihao Lu\, Liz Gridley\, Mandy Francis\, Marie Mansfield\, Martin King\, Max Powell\, Michael Simms\, Narelle Zeller\, Nat Ward\, Natasha Junmanee\, Neerja Peters\, Paula Jenkins\, Petra Reece\, Rachel Favelle\, Rhiannon Mowat\, Robyn Lees-West\, Rosie Lloyd-Giblett\, Rowen Matthews\, Ryan Pola\, Sally Kent\, Samantha Frye\, Sandra McMahon\, Sarah Waghorn\, Scott Breton\, Stuart Boggs\, Vanessa Ashcroft. \nFifty/50 Artwork List\nFifty/ 50 is supported by Beautiful Bizarre Magazine. \n \nImage credit: : Del Kathryn Barton\, Wild carrot dream\, limited edition archival print. Courtesy of the artist.\n  \nTerms and Conditions \n\nTickets go on sale on Friday 21 March.\nTotal tickets available will equal total artworks available.\nIndividuals are able to purchase multiple tickets.\nAll artworks are valued at $500 or over (value information received from artwork donors).\nArtwork labels detail if the work comes framed or unframed.\nOn the last day of the exhibition (Sunday 4th May) a public event will be held where tickets will be drawn.\nAll ticket holders will receive an artwork from the Fifty/ 50 exhibition that they will select in order of the public draw.\nThe first name drawn at the event\, gets to choose from all of the artworks on display in the Fifty/ 50 exhibition. The second name drawn gets to choose from the remaining works and so on. The last name drawn receives that last remaining work and a bottle of bubbles.\nTickets are non-refundable.\nAll selections are final and NERAM will not be involved in any negotiations to swap or exchange artworks. An exception may be made if an artwork is damaged\, and the damage is recognised and reported prior to it leaving NERAM.\nTicket holders who are unable to attend the public event can complete a Fifty/ 50 Preference List – the form will ask you to rank all Fifty/ 50 artworks in order of your preference. When your name is drawn a NERAM staff member will secure your highest-ranking artwork from those still remaining.\nAll proceeds will support the NERAM exhibition program.
URL:https://neram.dev.nucleoserver.com/event/fifty-50-2/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/03/Del-Kathryn-Barton_Wild-carrot-dream_sm.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250321T180000
DTEND;TZID=Australia/Sydney:20250504T160000
DTSTAMP:20260603T203629
CREATED:20250304T232623Z
LAST-MODIFIED:20250305T001903Z
UID:34873-1742580000-1746374400@neram.dev.nucleoserver.com
SUMMARY:Pass the Print: An experimental collaboration with the Black Gully Printmakers
DESCRIPTION:A collaborative printmaking project challenging the Black Gully Printmakers to embrace experimentation and freedom in printmaking. Each participant provides a print to another member who then responds to the initiating artist’s imagery and approach. Each participant is relieved from conceiving an entire finished work\, and instead\, brings their own flavour\, technique and finesse to another’s. The results are anyone’s guess! \nParticipants include: Eve Chan\, Heather Cowie\, Clint Harvey\, Cat MacGregor\, Beth Macraild O’Loughlin\, Dzintra Menesis\, Jennifer Miller\, Dinny Perry\, Emily Simson\, Rosalie Rigby Susie Spencer\, Chris Vickery\, and Margaret Vickery. \nOpening night: Friday 21 March\, 6-8pm (opening remarks from 6.30pm) \nPanel discussion: Friday 21 March\, 5.45 – 6.30pm \nImage credit: Jennifer Miller\, Untitled\, reduction Lino Print with collaged gelli plate.
URL:https://neram.dev.nucleoserver.com/event/pass-the-print-an-experimental-collaboration-with-the-black-gully-printmakers/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/03/JenniferMiller_original_Cropped.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250321T180000
DTEND;TZID=Australia/Sydney:20250321T200000
DTSTAMP:20260603T203629
CREATED:20250305T031203Z
LAST-MODIFIED:20250312T221820Z
UID:34902-1742580000-1742587200@neram.dev.nucleoserver.com
SUMMARY:Opening Night
DESCRIPTION:Join us for the opening of two new exhibitions. \nPanel discussion with BGP:  5.45 – 6.30pm (opening remarks 6.30pm)  \n  \nPass the Print: An experimental collaboration with the Black Gully Printmakers\n  \nFifty/ 50\n  \n\n\n  \nImage credit:  Del Kathryn Barton\, Wild carrot dream\, limited edition archival print. Courtesy of the artist.
URL:https://neram.dev.nucleoserver.com/event/opening-night-3/
CATEGORIES:Event,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/03/Del-Kathryn-Barton_Wild-carrot-dream_sm.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250207T180000
DTEND;TZID=Australia/Sydney:20250330T160000
DTSTAMP:20260603T203629
CREATED:20250114T061732Z
LAST-MODIFIED:20250401T233859Z
UID:34405-1738951200-1743350400@neram.dev.nucleoserver.com
SUMMARY:Oddity Part 1: KHR Stewart
DESCRIPTION:KHR Stewart explores the subliminal world of the subconscious in this exhibition\, drawing from life experience in collaging influential moments in time and personal relationships interspersed with the surreal. Her current process involves collecting and combining photographs into digital tableaux which are then reproduced as detailed oil paintings. \nKHR Stewart was born in Orange\, NSW. Moving to Lismore at an early age\, and then studying Architecture and Fine Art at University of Newcastle\, she completed her Fine Art studies at Nova Scotia College of Art and Design. Whilst now based in Brisbane\, her work continues to draw upon her lived regional experience\, and that of her family more broadly\, intertwining natural and built landscapes with eclectic memory. \nOpening Night: Friday 7 February\, 6-8pm (opening remarks 6pm) \nImage credit: KHR Stewart\, The Victorians (Giantess)\, 2018\, oil on canvas\, 85 x 70cm. Courtesy the artist.
URL:https://neram.dev.nucleoserver.com/event/oddity-part-1-khr-stewart/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/01/02-The-Victorians-Giantess-sml.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250207T180000
DTEND;TZID=Australia/Sydney:20250330T160000
DTSTAMP:20260603T203629
CREATED:20250114T061532Z
LAST-MODIFIED:20250318T234005Z
UID:34388-1738951200-1743350400@neram.dev.nucleoserver.com
SUMMARY:Vibrations: Abstract women in the collection
DESCRIPTION:Vibrations: Abstract women in the collection shines a spotlight on incredible works in the NERAM collections created by leading contemporary women artists. \nFeatured artists include Suzanne Archer\, Vivienne Binns\, Marion Borgelt\, Judy Cassab\, Elizabeth Coats\, Michelle Collocott\, Elisabeth Cummings\, Debra Dawes\, Helen Eager\, Vivienne Ferguson\, Rosalie Gascoigne\, Helen Geier\, Julienne Harris\, Mimi Jaksic-Berger\, Eva Kubbos\, Pat Larter\, Rosemary Madigan\, Hilarie Mais\, Barbara McKay\, Wendy Paramor\, Fay Porter\, Marisa Purcell\, Cassandra Sharp\, Ann Thomson\, Aida Tomescu\, Louise Tuckwell\, Maeve Woods\, and Margaret Worth. \nOpening night: Friday 7 February\, 6-8pm (opening remarks 6pm) \nImage credit: Barbara McKay\, Wattle\, 1974\, acrylic on canvas. Gift of the artist 2024.
URL:https://neram.dev.nucleoserver.com/event/vibrations-abstract-women-in-the-collection/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2022/08/Wattle_Barbara-McKay.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250207T180000
DTEND;TZID=Australia/Sydney:20250316T160000
DTSTAMP:20260603T203629
CREATED:20250114T061939Z
LAST-MODIFIED:20250114T061939Z
UID:34408-1738951200-1742140800@neram.dev.nucleoserver.com
SUMMARY:Dancing with Colour: Jamie-Lee Garner & Frances Edwina Powell
DESCRIPTION:A joint exhibition between local artist and potter Jamie-Lee Garner and Brisbane-based artist Frances Edwina Powell. Each embraces bold colour in their artistic practices\, imbuing their works with movement and dynamism. Garner creates her pottery vessels then ‘upholsters’ them with vintage textile offcuts while Powell mimics acts of daily pantomime with her collages reminiscent of Matisse. \nJamie-Lee Garner is an interdisciplinary artist that lives and works from her studio in the Northern Tablelands\, on Ngarabal country in NSW\, Australia. She received her BA in Architecture from the University of Sydney in 2018. By working across various mediums\, including ceramics\, recycled textiles and oil painting\, Garner creates work about the discovery of self in a way that aims to be accessible and most importantly delightful. \nFrances Edwina Powell is an emerging artist and arts facilitator based in Meanjin (Brisbane). She received a Bachelor of Fine Art (Studio) and Business (Marketing) from the Queensland College of Art in 2021. Powell often references figure drawing\, abstract shapes and colour associations within her work\, crafting collages and illustrative oil paintings that explore form and concept\, along with ideas of the body\, relationships\, performance and home\, primarily working on paper. Frances Powell is represented by Side Gallery\, Brisbane. \nOpening Night: Friday 7 February\, 6-8pm (opening remarks 6pm) \nImage credit: Frances Edwina Powell\, Ribbons and twirls! (hyper today)\, 2023\, oil paint and pencil on archival paper\, 59.4 x 42cm. Courtesy the artist and Side Gallery.
URL:https://neram.dev.nucleoserver.com/event/dancing-with-colour-jamie-lee-garner-frances-edwina-powell/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/01/Ribbons-and-twirls_-hyper-today_med.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250207T180000
DTEND;TZID=Australia/Sydney:20250316T160000
DTSTAMP:20260603T203629
CREATED:20250114T061906Z
LAST-MODIFIED:20250207T054404Z
UID:34402-1738951200-1742140800@neram.dev.nucleoserver.com
SUMMARY:Contemplations: Contemporary still life
DESCRIPTION:This exhibition of still life artworks offers a compelling exploration of one of the oldest and most enduring genres in art history. In contemporary art\, still life continues to captivate artists with its potential for experimentation and reinterpretation. Still life allows artists to engage with both the ordinary and the symbolic\, offering a meditative space to reflect on the relationship between objects and human experience. In today’s fast-paced\, image-saturated world\, still life remains a powerful vehicle for introspection and an enduring testament to the ability of art to capture the beauty and meaning in the simplest of things. \nFeatured artists include Andrea Gledhill\, Fiona Cotton\, Fiona O’Byrne\, James White\, Jodi Thompson\, Kate Durack\, Kir Larwill\, Leah Bullen\, Lucy McCann\, Michaela Laurie\, Phoebe Hillard\, Samantha Dennison\, and Simone Hale. \nOpening Night: Friday 7 February\, 6-8pm (opening remarks 6pm) \nContemplations Catalogue \nImage credit: Jodi Thompson\, Does my bum look big in this?\, 2024\, oil on ply\, 63 x 42cm. Courtesy the artist.
URL:https://neram.dev.nucleoserver.com/event/contemplations-contemporary-still-life/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/01/Jodi-Thompson_Does-my-bum-look-big-in-this_oil-on-ply_63x42cm.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20250207T173000
DTEND;TZID=Australia/Sydney:20250406T160000
DTSTAMP:20260603T203629
CREATED:20250114T061559Z
LAST-MODIFIED:20250114T233407Z
UID:34390-1738949400-1743955200@neram.dev.nucleoserver.com
SUMMARY:The Interior: Natalya Hughes
DESCRIPTION:The Interior is an immersive installation combining sculptural seating\, richly patterned soft furnishings\, and uncanny object d’art\, nestled around a hand painted mural to generate a stimulating space to unpack our collective and unconscious biases. \nNatalya Hughes\, one of Australia’s most exciting mid-career artists\, is known for her explorations of decorative and ornamental traditions and their associations with the feminine\, the human form\, and excess. Recent bodies of work investigate the relationship between Modernist painters and their anonymous women subjects. \nCurated by Tulleah Pearce. \nThe Interior is a travelling exhibition organised by Institute of Modern Art (IMA)\, toured by Museums & Galleries Queensland. \nThe Interior has been assisted by the Australian Government through the Australia Council\, its arts funding and advisory body; the Australia Council’s Contemporary Touring initiative; the Fini Artist Fellowship through the Sheila Foundation; Queensland College of Art\, Griffith University; Creative Art Research Institute\, Griffith University; and Porter’s Paints\, New Farm.  \nNatalya Hughes is represented by Milani Gallery\, Brisbane\, and Sullivan+Strumpf\, Sydney. \n  \nOpening night: Friday 7 February \nIn Conversation with Natalya Hughes\, 5.30pm \nOpening remarks\, 6pm \nImage credit: Installation view\, Natalya Hughes: The Interior\, 2022\, Institute of Modern Art. Photography: Charlie Hillhouse.
URL:https://neram.dev.nucleoserver.com/event/the-interior-natalya-hughes/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2025/01/IMA-Hughes-The-Interior_HR-102_small.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20241115T180000
DTEND;TZID=Australia/Sydney:20250202T160000
DTSTAMP:20260603T203629
CREATED:20241030T064418Z
LAST-MODIFIED:20241030T064418Z
UID:34027-1731693600-1738512000@neram.dev.nucleoserver.com
SUMMARY:Colourful Coventry
DESCRIPTION:Celebrating Chandler Coventry’s 100th birthday\, this exhibition is a cracker for the kids showcasing some of the brightest and boldest artworks in the Chandler Coventry Collection. Coventry moved from Armidale to Sydney and opened his own commercial art gallery in the 1970s\, later donating his personal art collection to NERAM when it was founded. \nSee gems from the Chandler Coventry Collection in a new way with this interactive display of colourful artworks accompanied by a variety activities – a scavenger hunt\, dress ups\, colouring in and more. Colourful Coventry is perfect for the whole family these summer holidays. \nOpening night: Friday 15 November\, 6-8pm \nImage credit: Gunter Christmann\, Attis\, 1975\, acrylic on canvas. Gift of Chandler Coventry 1979.
URL:https://neram.dev.nucleoserver.com/event/colourful-coventry/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2021/09/1979_115.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20241115T180000
DTEND;TZID=Australia/Sydney:20250202T160000
DTSTAMP:20260603T203629
CREATED:20241030T063738Z
LAST-MODIFIED:20250115T002633Z
UID:34024-1731693600-1738512000@neram.dev.nucleoserver.com
SUMMARY:Wild Rivers: Lizzie Horne
DESCRIPTION:A journey to capture the essence of the wild rivers of New England on paper has taken Armidale printmaker Lizzie Horne far beyond local gorge country. A more than decade-long exploration of printmaking techniques with teachers and mentors in studios around the world has led her to a deep dive into sugar lift etching. \nHorne has experimented with the medium to create a body of gestural\, expressive works informed by the scale\, movement and force of the New England awe-inspiring land and waterscapes. \nOpening night: Friday 15 November\, 6-8pm \nArtist talk: Saturday 18 January\, 10.30 – 11.30am \nRestricted exhibition access 29 January – 2 February. Viewing by appointment only. Please call the Gallery on 02 6772 5255 to enquire. \nImage credit: Lizzie Horne\, Cloudfall (II)\, 2024\, open bite etching\, US. Courtesy the artist.
URL:https://neram.dev.nucleoserver.com/event/wild-rivers-lizzie-horne/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2024/10/LH15_Cloudfall-II_sm.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20241115T180000
DTEND;TZID=Australia/Sydney:20250202T160000
DTSTAMP:20260603T203629
CREATED:20241030T062444Z
LAST-MODIFIED:20241031T015303Z
UID:34021-1731693600-1738512000@neram.dev.nucleoserver.com
SUMMARY:Fusion: Max Powell
DESCRIPTION:For Glen Innes ceramicist Max Powell\, fusion not only describes the ceramic process but the merging of ideas\, influences and approaches. Fusion also illustrates the ceramic process of changing clay and glaze with heat. \nPowell finds the natural world an endless source of inspiration and by observing the shapes\, colours and surfaces is where he begins when creating paintings and ceramics. The simple act of looking and exploring reminds us to slow down and to disconnect with all the craziness of modern life. \nOpening night: Friday 15 November\, 6-8pm \nImage credit: Max Powell\, Dolomite water bowls – Ripple series\, 2024\, stoneware. Courtesy the artist.
URL:https://neram.dev.nucleoserver.com/event/fusion-max-powell/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2024/10/Dolomite-Water-Bowsl-Ripple-series-2024-stoneware.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20241115T180000
DTEND;TZID=Australia/Sydney:20250202T160000
DTSTAMP:20260603T203629
CREATED:20241030T062130Z
LAST-MODIFIED:20241031T015223Z
UID:34018-1731693600-1738512000@neram.dev.nucleoserver.com
SUMMARY:Inner/Space: Helen Eager
DESCRIPTION:This significant survey exhibition examines Helen Eager’s progression from interiors and still lifes to the pure abstract images that she is known for today. With works sourced from the NERAM collection\, Utopia Art Sydney\, and the artist herself\, Inner/Space celebrates Eager’s passion for colour\, light\, and deconstruction. \nThis exhibition is the latest of a series NERAM has staged highlighting significant Australian women artists including Mirdidingkingathi Juwarnda Sally Gabori\, Emily Kame Kngwarreye\, Hilarie Mais\, Barbara McKay\, and Aida Tomescu. \nA partnership with Utopia Art Sydney \nOpening night: Friday 15 November\, 6-8pm \nImage credit: Helen Eager\, Satellite\, 2017-8\, oil on canvas. Courtesy the artist and Utopia Art Sydney.
URL:https://neram.dev.nucleoserver.com/event/inner-space-helen-eager/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://neram.com.au/content/uploads/2024/10/13.-Satelite.jpg-whiter_sm.jpg
END:VEVENT
END:VCALENDAR