Wonders of HINTON
Experience one of the greatest collections of art in regional Australia with the new semi-permanent display, Wonders of Hinton.
Experience one of the greatest collections of art in regional Australia with the new semi-permanent display, Wonders of Hinton.
Enjoy the stimulus of doing art in a group. While individual guidance comprises the main bulk of the class, Kerry will also be doing regular demonstrations on anything related to painting and drawing, such as collage, paint transfer, frottage, graffito, dry brushing, stencilling, and more. If you are new to art Kerry can help you get started on the basics, such as looking at line, colour, perspective.
A weekly, self-directed, painting and drawing group for experienced artists. Meeting once a week in Packsaddle Studio (located at the rear of the NERAM building) this is an opportunity to come work alongside other experienced artists, network, learn and be inspired. There is no regular tutor but each week, the session finishes with a group critique to review the day's efforts and give and receive feedback.
echoes & silences: untethered fibre artists, Intimate Connections, Summer Impressions, Traces: Memory in landscape: Beth MacRaild O' Loughlin & Eve Chan, Hinton: of brushes & light
Summer Impressions invites participating artists to explore the atmosphere, colour and emotional resonance of summer, its heat, light, movement and mood, drawing creative inspiration from the broader impressionist sensibility.
Of Brushes and Light celebrates the evolution of Impressionism in Australia in the late nineteenth century, and the impact the en plein air movement had on the portrayal of the Australian landscape.
echoes & silences brings together 20 artists from the untethered fibre artists collective, a group formed over a decade ago to champion fibre as a vital contemporary art form.
Intimate Connections invites audiences to encounter the NERAM Collections through the powerful relationships that shaped some of Australia’s most significant artists.
Traces brings together two new bodies of work for the artists, Eveline Chan and Beth MacRaild O’Loughlin, who have also worked collaboratively on some pieces, using a range of printmaking and analogue photographic practices.